Arnie’s Top 25 Films of the 2010s
I keep reading articles and posts about how movies aren’t what they used to be. From Martin Scorsese, bitter about his Irishman distribution woes, to Spielberg decrying the “movie-ness” of streaming services, to box office reports of lower attendance.
Yet I maintain the 2010s have had as many great films as any decade before.
When putting this list together it was literally impossible to only do ten movies. I finally cut it off at 25, and then which order became a frustrating rearranging.
Finally, here are my Top 25 films of the 2010s:
25. It: A movie that genuinely horrified, and did Stranger Things better than Stranger Things. The opening scene is (pardon the pun) a grabber, and it didn’t let up much after that point. Had the sequel been as good there’s a chance this would rank even higher on the list as a duology. As it is, It is still the 25th best of the 2010s.
Hear Now Playing’s full review of It
24. The Hateful Eight: Tarantino gets two slots on this list, and the first is his underrated suspense film from 2015. Both funny and gruesome, I was unexpectedly pulled into this period piece.
Hear Now Playing’s full review of The Hateful Eight
23. Wind River: Jeremy Renner does his fair share of franchise films, but when he escapes those films he brings a depth and realism to his characters. He showed this in the incredible The Hurt Locker, and he did it again in this 2017 murder mystery. Likewise, Elizabeth Olsen keeps up with Renner as a FBI outsider investigating a murder on Native American lands (the best rookie FBI performance since Jodie Foster in Silence of the Lambs)
22. The A-Team: I was skeptical any new cast could capture the magic, the chemistry, and the unique personalities of NBC’s ’80s The A-Team. I was wrong. Christian Kaplan, the film’s executive in charge of casting, deserves an award for finding four performers who simply are the 2010 personifications of Hannibal Smith, Face, BA Baracus, and Howling Mad Murdock.
More, director Joe Carnahan’s use of montage to show how the team went from planning to execution was invigorating.
I love it when a movie comes together, and this one surely did.
Read Jakob, Arnie, and Marjorie’s reviews of The A-Team and 124 other movies in the Now Playing book Underrated Movies We Recommend. The eBook is available now, the print book is shipping soon!
21. Deadpool: Funny and irreverent–I’d expect nothing less from Ryan Reynolds or Deadpool. Romantic and exciting–those are the surprises in store in Fox’s R-rated (relatively) low budget comic book movie. While Fox studios is no more, the risks they took with first Deadpool and then Logan showed the big boys at Disney and Warner Bros. that comic book movies aren’t just for teenage boys. Without Deadpool there’d be no Joker.
Hear the full Now Playing review of Deadpool
20. Her: Joaquin Phoenix had his biggest box-office hit with 2019’s Joker. Likewise, moviegoers hail his lead performance (quite a trick to follow up Heath Ledger’s ’08 turn). But Joker wasn’t Phoenix’s best performance of the decade–that was in 2013’s Her.
For much of the film Phoenix’s character Theodore is the only person on screen. While Scarlett Johansson’s voice speaks to him in most scenes, but still Phoenix alone must carry the physical performance. He must be visually and emotionally bare as he alone has all the actor’s tools at his behest.
Moving and thought-provoking, I recommend spending an evening with Her.
19. Hereditary: That scene, right? That one scene (that I won’t spoil)… it is to Hereditary what the shower is to Psycho, the pig’s blood to Carrie, or the orgasm scene of When Harry Met Sally. But to focus only on that scene is to ignore the other 126 minutes of a deeply disturbing and creepy film. Toni Collette takes you with her on her spiral into…madness? And Alex Wolff’s physical performance creates a moment second only to that scene. Hereditary gripped me like a nightmare from which I didn’t want to wake.
Hear Now Playing’s full review of Hereditary
18. The Social Network: Facebook is so central to communication that it’s difficult to remember the time before. It has become so engrained in American life that The Social Network is perhaps even more important today than when it was released in 2010.
The story of Facebook’s creation is so dramatic and sensational it’s hard to believe it’s real. In fact, the real Mark Zuckerberg disputes this movie’s accuracy saying, “This is my life, so I know it’s not so dramatic.” Still, it’s hard to not be drawn into the world of Facebook’s creation.
“Nerds” programming at computers could be terribly stale to watch, but director David Fincher brings his trademark visual panache and makes Facebook’s creation feel as suspenseful as Seven. And Jesse Eisenberg was a great choice to play Zuckerberg, bringing the right amount of whiny and nerdy.
Hear Now Playing’s full review of The Social Network
17. Baby Driver: Is Baby Driver a movie, or is it a 113 minute music video? The concept–thievery perfectly timed with music–was originally a music video for Mint Royale’s “Blue Song.”
Yes, the hook of Baby Driver is its gimmick–its soundtrack dominates the film. It makes a scene of getting coffee fun and visually appealing. Really, Baby Driver is an old-fashioned musical, only no one in this film sings–they listen to iPods.
But the magic of Baby Driver is the cast, specifically lead Ansel Elgort. This “one last job” story is given extra depth when it collides with Baby’s love story with Debora (Lily James). Jamie Foxx brings true menace with his character “Bats”, and Jon Hamm’s arc as “Buddy” is almost as involving as Baby’s.
Almost three years since the film’s release I still can’t stop listening to the soundtrack, but mostly those songs now make me remember the film.
Hear Now Playing’s full review of Baby Driver
16. Whiplash: I came late to the 2014 film Whiplash. By the time I watched it I’d already watched J. K. Simmons accept his Academy Award for Best Supporting Actor. I really thought I knew what I was in for…and I was wrong.
Whiplash isn’t your standard “exceptional student” film like Finding Forrester or Good Will Hunting. It also isn’t the cliche “evil teacher” movie like 21 or Real Genius. No, Whiplash is a story of obsession where the student’s ambition is as big an enemy as his teacher.
Simmons earns his Oscar as abusive music teacher Terence Fletcher. It’s a role that, in the wrong hands, could have become camp, but Simmons rides that line. He’s not evil, just amoral and obsessed.
The film ends on a number of twists, the first of which made me roll my eyes…but writer/director Damien Chazelle is too smart to let this film end in a tired cliche, and the film’s final scene sticks with me.
15. Inception: I’ve gotten some guff for not being a paid member of the Christopher Nolan fan club. That said, I love three of his films: Memento, The Dark Knight and Inception. \
Nolan has a way of shooting a cityscape that is gothic and expansive, dwarfing its characters in a Metropolis. It worked so well in Dark Knight and he uses it to great effect in Inception where he adds another dimension as cities change and reshape themselves.
It’s a cinematic equivalent of a M.C. Escher artwork.
But the plot is as exciting as its visuals–a heist film with constant escalation. Add great performances from the entire cast (Leonardo DiCaprio, Joseph Gordon-Levitt, and Cillian Murphy are stand-outs) and Inception is a movie that’s incredible, and incredibly fun, to watch.
Hear Now Playing’s full review of Inception
14. Spider-Man: Into the Spider-Verse: How unexpected is it that not only is the best Spider-Man feature film animated, but it doesn’t even star Peter Parker?
Spider-Man: Into the Spider-Verse is the most comic-booky of all comic-book movies. It’s not afraid to tackle topics that live-action movies eschew, including multiverses and alternate versions of characters. But comics do that constantly.
Miles Morales was a Spider-Man created by Brian Michael Bendis in Marvel’s “Ultimate” universe. When Peter Parker was killed Miles Morales stepped up and inherited the Spider-Man mantle. Being biracial, young, and hip, Morales quickly developed his own following as Spider-Man. Now he got a big-screen starring turn…with Peter Parker (actually two Peter Parkers) in supporting roles.
Yes, it’s yet another superhero origin story–but it’s so fast-paced, and the characters come so quickly, that it manages to feel fresh despite audiences having seen hundreds of movies like this before.
I get more out of this film every time I enter the Spider-Verse
Hear Now Playing’s full review of Spider-Man: Into the Spider-Verse
13. It Follows: Elevated horror often focuses too much on the “elevated” and too little on the “horror.” Not so with It Follows. The metaphor of death coming after intercorse is clear. Yet the horror and paranoia of being stalked by an unstoppable, invisible assailant pulled me in. I empathized with the protagonists and joined them in their fear of “it.”
Hear Now Playing’s full review of It Follows
12. Kingsman: The Secret Service: Matthew Vaugn’s visual style brings three movies to this list of 25…more than any other director. The first is this 2014 spy comedy. It both mocks the James Bond spy formula while also adhering to it, a post-modern, self-aware thriller. From its opening (to Dire Straits’ “Money for Nothing”) to its end (to Brian Ferry’s “Slave to Love”) the movie is exciting and fun–but it’s the church scene (choreographed to Lynyrd Skynyrd’s “Free Bird”) that cements its place as one of the decade’s best.
11. Maniac (2012): Lately movie reboots (and even sequels like The Force Awakens and Jurassic World) seem to only retell or remake the original film. Maniac does not fall prey to that lazy device. It takes inspiration from the grimy 1980 film, but director Franch Khalfoun and producer Alexandre Aja bring a totally different vibe to this slasher film.
Replacing large, grimy Joe Spinell with small, refined Elijah Wood already indicates this film will be vastly different than the original. But more, the choice to show most of the film in first-person, to in effect make the viewer the killer, is unlike anything in the 1980 film.
We’ve seen first-person slashers before (Halloween’s opening scene may be the best known, but Friday the 13th and others have used this technique). Doing an entire film in that style is a gimmick–but one that works so well here.
With Wood’s creepy performance as Frank Zito (and one of Frank’s arms) and the haunting score by Rob, Maniac is one of the best films I only watched because of Now Playing’s review. Truly one of the most original and best horror films of the decade.
Hear Now Playing’s review of Maniac (2012)
10. Contagion: Few things frighten me more than a fast spreading, highly contagious disease wiping out the population. From The Stand to Outbreak to even Rise of the Planet of the Apes, this all-too-possible scenario scares the hell out of me.
That fear is realized in Steven Soderbergh’s 2011 film Contagion. The disease spreads through the global population as the film focuses on both the race for a cure and some of the individuals living in this crumbling world.
Never have I rooted more for a film’s protagonists. And Soderbergh’s ensemble cast of familiar faces from Gwyneth Paltrow to Laurence Fishburne helped me connect with nearly every character.
Contagion doesn’t end on the bleakest of notes, but it carries with it the bleakest of horrors. I hope to never find out if Soderbergh made a realistic film, but he made a thrilling one.
9. 12 Years a Slave: I can think of several horror films that start with a kidnapping and forced enslavement. Seven, Saw, and Hostel just to name a few. But imagine that horror told as a period-piece biopic–a true story of the worst American horror.
It’s unbelievable and horrible that a free African-American in New York could be kidnapped and sold as a slave, with no recourse to regain his freedom. Yet in 1840s America such a scam was commonplace, and happened to Solomon Northup (played here by Chiwetel Ejiofor).
The film is sad, and yet shows a genuine triumph of human spirit and perseverance. I was moved by the tale.
8. The Cabin in the Woods: Is this a horror film or a parody? It rides the line with its trite story of five college students going to a cabin for a weekend of partying. Yet the scenario is reframed here as manipulation by people who look like extras from Office Space. They release pheromones and use drugs to turn these five people into horror stereotypes…but the deaths caused are too real.
With a final twist and cameo appearance that work perfectly, I revisit The Cabin in the Woods often.
Hear Now Playing’s full review of The Cabin in the Woods
7. Django Unchained: Tarantinos’ second film on this list ranks with Reservoir Dogs as his best work. Django (Jamie Foxx) and King Schultz (Christoph Waltz) are a tremendous on-screen duo as bounty hunters who infiltrate the slave trade to rescue Django’s wife Broomhilda.
The movie starts as an action film, but ends up becoming a heist movie along the lines of Ocean’s 11 as the two protagonists plot their rescue. And Foxx brings a gravity to his role as a freed slave, while also being funny with his character’s clothes and turn-of-phrase.
To see Samuel L. Jackson play someone other than Samuel L. Jackson is a delight here as well. The strongest of recommends.
Hear Now Playing’s full review of Django Unchained
6. Kick-Ass: Matthew Vaughn’s second entry in this list is this 2010 comic-book adaptation. Vaughn and co-writer Jane Goldman smoothed out the bumps in Mark Millar’s original graphic novel, creating an escapist super-hero fantasy. Voiceover narration and early hero patrols mimic Sam Raimi’s original Spider-Man. But Aaron Johnson as the titular hero is an underdog that you can truly root for.
Then Kick-Ass teams up with Hit-Girl (Chloe Grace Moretz) and Big Daddy (Nicholas Cage) and the film goes to another level of madcap carnage.
Like Kingsman: The Secret Service this film has over-the-top fights and a “happy” ending that works like a fairy tale. Yet the sheer joy of watching these performances and these characters really does Kick-Ass.
Hear Now Playing’s full review of Kick-Ass
5. Mad Max: Fury Road: For 20 years or more I’ve read articles and heard complaints from movie critics and fans that sequels and franchises are univentive and tired, ruining American cinema. (Once more, see Scorsese’s comments regarding Marvel films).
I contend franchise films are like all films–there are some that are lazy and poorly made, but then there are moments of genius. Mad Max: Fury Road epitomizes that phenomenon.
Everything could go wrong with a fourth Mad Max film. The titular character was recast to Tom Hardy, and the last installment, Beyond Thunderdome, came 30 years earlier and was hardly a blockbuster. Yet septuagenarian director George Miller injected this film with high-octane action creating one of cinema’s best chase films.
More than just action-for-action’s sake, the film also co-stars Charlize Theron as female liberator Imperator Furiosa, giving the series a kick-ass woman who outshined Hardy and gave Mad Max a feminist bent.
Whether you watch it in the Black and Chrome edition or the color release, watch it on as big a screen as you can find, crank the sound system, and unleash the Fury.
Hear Now Playing’s full review of Mad Max: Fury Road
4. The Nice Guys: Writer/director Shane Black seems unable to recapture the box-office magic he had in the ’80s when he wrote Lethal Weapon (Iron Man 3 excluded as, let’s face it, Black was not the reason that film made a billion dollars). It’s a shame audiences are ignoring Black because his best screenplays have come in the 21st century (and I don’t mean The Predator).
In 2005 Black wrote and directed a buddy-crime film Kiss Kiss Bang Bang — a funny and exciting noir mystery set in Hollywood (and featured in Now Playing’s Underrated Movies We Recommend book). It barely broke even for the studio.
In 2016 he tried again with the comedic noir mystery The Nice Guys starring Russell Crowe and Ryan Gosling. Set in late ’70s Los Angeles the movie follows private eye Holland March (Gosling) as he investigates the death of porn star Misty Mountains. The case leads him to be beaten-up by tough-guy Jackson Healy (Crowe). Soon the two team-up to investigate a complex mystery. They are both aided and hampered by March’s daughter Holly (Angourie Rice).
Gosling and Crowe are perfectly cast. Crowe’s cinematic history and his large frame perfectly fit his character, while Gosling’s charisma makes a mediocre private eye fun to watch. The mystery is as complex (or is that convoluted) as Lethal Weapon, but the joy is in the characters.
But The Nice Guys did finish last, barely making its budget back, and Black went on to do the atrocious The Predator. I hope his creative spark wasn’t squashed when his two best films didn’t find an audience.
3. X-Men: First Class: Matthew Vaughn’s third film on this list may prove controversial. X-Men: First Class is a polarizing film among fans…though I can’t understand the view of people who dislike this fourth X-Men installment.
A prequel to the original X-Men trilogy, First Class is set in the early ’60s and shows the origins of classic X-Men characters Charles “Professor X” Xavier (James McAvoy), Erik “Magneto” Lehnsherr (Michael Fassbender), Raven “Mystique” Darkholme (Jennifer Lawrence) and others.
It’s impossible to not be impressed with this cast. They got Lawrence one year before she became a superstar with The Hunger Games and an Oscar winner for Silver Linings Playbook. McAvoy and Fassbender never reached the popularity of their co-star, but both are magnificent actors able to bring a variety of emotion and pathos to their roles. With Nicholas Hoult, Oliver Platt, Rose Byrne, Zoe Kravitz,and Kevin Bacon in supporting roles, the cast is captivating and interesting.
The stakes couldn’t be higher as First Class offers a bit of revisionist history to the Cuban Missile Crisis. The story spans the globe from Germany to England to Russia and more.
Once again, Matthew Vaughn brings his visual style to a comic book adaptation in a way that’s fresh and fun, and gives us one of the best cameos I’ve ever seen.
With its message of “Mutant and Proud”, its character evolution, and its infectious score by Henry Jackman, there isn’t a moment of this movie I don’t love.
2. The Avengers: Honestly, this entire list could be films from Marvel Studios. Their output is remarkable in consistent quality, and their cast and characters improve from film to film.
Truthfully, I limited myself to one Marvel Studios movie for this list…but which one? Captain America: Civil War, Guardians of the Galaxy, Captain America: The Winter Soldier, Thor: Ragnarok, Avengers: Infinity War, and Avengers: Endgame all truly deserve spots in any “best of the decade” list.
Marvel’s films have become a cultural touchpoint for people around the world. People who would never deign to read a comic book now wear Captain America T-Shirts and buy Funko POP! figures of their favorite characters.
So which to pick? The one that really started it all-– 2012’s The Avengers. Sure, you can argue Iron Man started it in 2008, but Marvel’s films were only moderately successful through 2011. While both Iron Man films made over $300mil domestic, The Incredible Hulk, Captain America: The First Avenger, and Thor all failed to reach $200 million (2015’s Ant-Man is the only post-2012 film to not gross over $200m).
It took Joss Whedon to make the Marvel Cinematic Universe coalesce, bringing a god, a super-soldier, a rampaging monster, and a playboy in an armored suit together to fight each other, and then an alien invasion.
In only 143 minutes Wheadon gave satisfying character arcs to six characters…the four listed above, plus Black Widow (Scarlett Johansson) and Loki (Tom Hiddleston), both of whom failed to impress in their previous MCU films.
Wheadon did that and made it look effortless, while keeping the film moving at a good clip and having enough quips to keep the audience smiling.
The Avengers truly did assemble here, and an unstoppable cinematic juggernaut was the result. You may love that or hate it, but damn if that isn’t an impressive feat.
1. Scott Pilgrim vs the World: How is it the number 1 film is a comic book but isn’t a Marvel movie? Leave it to Edgar Wright’s action-romance fable Scott Pilgrim vs. the World.
Based on Bryan Lee O’Malley’s eponymous series of graphic novels, Scott Pilgrim takes place in a fantasy land where video game rules apply. Skateboarders grind down flights of stairs like in Tony Hawk games. People throw punches and kicks in the streets like Mortal Kombat. Battles of the Bands create large electronic kaiju. And when someone dies, a bunch of coins fly from where their body used to be.
But inside this video game is a romantic comedy where listless Scott Pilgrim (a perfectly cast Michael Cera) falls for the woman of his dreams–Ramona Flowers (Mary Elizabeth Winstead at her most alluring). As with any rom-com there are obstacles to their romance. Not only is Scott dating high-school girl Knives Chau (Ellen Wong), but to date Ramona Scott must fight her seven evil exes.
Scott has never fought for anything, so can he keep up the fight for Ramona? Should he even do that?
The result is a light-hearted but emotional film where Scott and Ramona have ups, downs, and battles with the likes of Chris Evans and Brandon Routh.
I also love the entire cast here. Comic book movie veterans Evans and Routh are joined by Thomas Jane, plus future Captain Marvel Brie Larson. Yet the standout supporting character is Kieran Culkin as Scott’s gay and snarky roommate Wallace Wells. Culkin delivers his lines with such snide sarcasm I can’t help to smile.
Get a life and don’t miss out on Scott Pilgrim vs. the World
Read Jakob, Arnie, and Marjorie’s reviews of Scott Pilgrim vs the World and 124 other movies in the Now Playing book Underrated Movies We Recommend. The eBook is available now, the print book is shipping soon!
Arnie’s Best Films of 2019
As we approach New Year’s, it’s a time to look back at what 2019 brought…and that means best of/worst of lists.
I readily admit my movie watching in 2019 was dominated by Now Playing Podcast’s calendar. Many of the films in this list were reviewed on that podcast.
Now to the list:
10. Between Two Ferns: The Movie: I always found Funny or Die videos to lean more to the “die” side. But the awkward humor of Zach Galifianakis interviewing celebrities always made me chuckle. Thrown into narrative form for the Netflix movie, I laughed out loud often. The bloopers at the end, showing the celebrities cracking up at the jokes, made it even better.
9. Zombieland: Double Tap: It took 10 years to bring the Zombieland team back together. No doubt, my love of that original film and those characters tint my view of this lesser sequel. Yet the addition of new character Madison (Zoey Deutch) brings a new energy and life to this picture. The cameo at the very end cements this sequel on this best-of list.
Hear Now Playing’s full Zombieland: Double Tap review
8. Toy Story 4: When I was a kid I’d love my new toys, but after a while I’d get bored and want to move on to a new toy line. Smurfs went in a box to make way for Transformers, etc. Such is the case with Woody and Buzz on their fourth outing (not counting TV specials and shorts). The bloom is a bit off the rose as these character age and lead their post-Andy life. Still, Toy Story 4 finds a way to still have toys build a metaphor for real life, and the horror of the puppet minions was highly effective. Plus, once again Pixar blazes new trails in the realm of CGI animation.
Hear Now Playing’s full Toy Story 4 review
7. Us: Jordan Peele proved himself a master of horror with Get Out (hear Now Playing’s review), but could he repeat that success in his second film? Happily, Peele avoided the dreaded sophomore slump with this story of evil suburban dopplegangers. Like Get Out, it works both as horror and social commentary.
6. Marriage Story: A Kramer vs. Kramer for our time, Marriage Story features Adam Driver and Scarlett Johansson as parents going through a divorce. It starts amicable, but turns bitter as the stakes escalate. I do wish the film made me feel more for these characters’ loss, but the two lead performances are both impacting and real. I’d not be surprised to see both Johansson and Driver nominated at the 2020 Academy Awards (unless this being a Netflix film dooms it politically).
5. Knives Out: I wasn’t sure what to make of Rian Johnson’s whodunnit when I saw the trailers, with Daniel Craig being called out for his Kentucky Fried accent. But I am a sucker for a good murder mystery, and Knives Out is a great one. With a roster of A-list stars, Johnson counterintuitively makes the film’s focus the lesser known Ana de Armas. This works very well as she is a working-class maid surrounded by parvenu, the star wattage surrounding her sells that difference. The end reveal got me. I hear there’s now rumors of this $200mil grosser becoming a franchise. If Johnson can make them all this clever and funny, I’m ready for another cut.
4. Joker: DC had one of their best years in 2019. Shazam was a solid entry in their DC Extended Universe (hear the Now Playing review)–a movie that played it safe. Then the studio took some creative risks letting Todd Phillips, a director most known for comedy, co-write and direct the R-Rated Joker. With its Scorsese feel and a captivating performance by Joaquin Phoenix, Joker stopped anyone from laughing at DC’s movie offerings and proved comic book movies can span genres and achieve greatness. The camerawork and score emphasize the film’s theme while keeping the film visually interesting.
I fear what Joker’s success may bring (rumors of a sequel, as well as a series of more R-rated comic origins frighten me) but Joker truly is the Clown Prince of comic movies.
Hear Now Playing’s full Joker review.
3. Terminator: Dark Fate: I hear the derision now… “Anyone that includes Dark Fate on a best-of list needs to watch more movies.” The film was a commercial flop costing the studio over $100mil in losses. It was released to an audience seemingly tired with franchise revivals (or, at least, tired of Terminator‘s string of lackluster sequels).
But I am a champion of underrated movies (I even co-wrote a book about them) and Dark Fate fits that bill. Following the Halloween (2018) model, the film has creator James Cameron producing, and Linda Hamilton returning in a co-starring role. Arnold Schwarzenegger’s terminator is both funny and sympathetic, making this the muscle-man’s best performance since before he was elected Governor of California.
With action that packs a punch, a cool two-for-one Terminator Rev-9, and a pace that rarely lets you catch your breath, I was hoping this Dark Fate would be back for more…but I’m positive this is “hasta la vista, baby” for the series.
Hear Now Playing’s full Terminator: Dark Fate review
2. Spider-Man: Far From Home: After the drama and high stakes of Avengers: Endgame audiences needed a breather. Something a little lighter. A funny film that is just a good popcorn film. Far From Home meets all those targets perfectly.
Spanning several European countries, Far From Home works as a road movie, a travelogue, a teen comedy, and a comic book action film.
Tom Holland has proven himself to be the best live-action Spider-Man in five movies from 2016-2019 (two more than any other Spider-Man actor). In his second solo outing, Holland’s Spider-Man still struggles with teen drama but also brings in a good villain in Jake Gyllenhaal’s Mysterio. Gyllenhaal and Holland have great on-screen chemistry, as do Holland and love-interest Zendaya.
The cliffhanger ending (with a cameo sure to make Spider-Man fans smile) makes the web-head’s return to the screen my most-anticipated MCU film.
Is it 2021 yet?
Hear Now Playing’s full Spider-Man: Far From Home review
1. Avengers: Endgame: When I think of the duology of Avengers: Infinity War and Endgame I’m reminded of a cliffhanger from Star Trek: The Next Generation episode “Best of Both Worlds.” The first episode of that duology was dark, exciting, and ended with a feeling that all is lost. When the conclusion aired three months later…they just couldn’t stick the landing. Everything was neatly wrapped up easily…and unsatisfactorily.
Avengers: Infinity War ended on a similar note with Vision dead, along with half the population in the universe. Could the Avengers’ rematch with Thanos meet the adventure-filled Infinity War?
Directors Joe and Anthony Russo didn’t just give Infinity War’s story a satisfying conclusion–they made an amazing film that works on its own. It’s a final hurrah for the original Avengers, and the scaled-down cast allows Iron Man, Captain America, and Thor to each have their own satisfying character arcs. I cheered during the film’s high points, and tears streamed down my face as I bid farewell to some characters I’ve lived with for over a decade.
It feels like a conclusion to the MCU as a whole…I’m not sure Shang-Chi and The Eternals will bring as much to the table as the original Avengers, but damn…what a high note to end on!
Marjorie’s Top 10 Films of 2017
by Marjorie Carvalho
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I expected not to like this movie and was pleasantly surprised. A nice action film with some solid acting, it’s interesting enough to keep you watching. It seems as if they played fast and loose with the historical accuracies, and some of the characters actions don’t make sense (looking at you Tom Hiddleston) but it was an enjoyable movie. | ||
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An over the top gore fest written by James Gunn, The Belko Experiment is full of inventive kills, human prey and suspense. A mysterious voice tells captive office employees that 2 employees must be killed or double that will die. The audience, nor the characters, are given any clues as to why this is happening or who is responsible. Trapped inside the office, things turn chaotic and brutal. The twist ending is original and an oddly satisfying end for the movie. | ||
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If the opening scene of this movie doesn’t get you, I don’t know if you have a heart. Little Georgie’s encounter with Pennywise is terrifying, sad and had me on the edge of my seat. The children in this movie are all fantastic actors and Bill Skarsgard undeniably scary as Pennywise. While it felt a little long in places, it still delivered creepiness and I’m looking forward to part 2.
Now Playing will review It (2017), It (1990) and the It sequel upon its release September 6, 2019. |
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A crime caper by Edgar Wright shines due to it’s stellar use of music as a character. From the opening scene, down to the end scene, music is as part of this movie as any human. The soundtrack is eminently playable. In addition to the music, the visuals are top notch. A coffee run early in the movie, filmed continuously is a great sequence, almost like a music video. And let’s not forget the clean cut Jon Hamm portraying a foul mouthed criminal. | ||
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Wolverine is by far my favorite X-Men character and until Logan, he had not had a proper movie to showcase his tortured soul. With self healing powers, he has suffered while those around him have perished and he is left caring for a demented Professor X in a strange future with self driving cars. When he meets a child with similar powers, I feared he would turn fatherly, when instead we get a meaningful redemption movie and the door left open for future X-Men. | ||
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A movie about the making of the worst movie of all time might be one of the best movies of 2017. James Franco, along with brother Dave, make you feel both pity and empathy for Tommy Wiseau and Greg Sestero. Dave really pulls off the earnest star seeking Greg while James, well, he is Tommy better than Tommy can be Tommy. Both Franco brothers really shine in this movie. You don’t need to have seen The Room to get the jokes or the movie, it’s enough itself so you never feel like you are missing anything.
Hear Now Playing’s full review of The Room now. The full The Disaster Artist review will be out 1/31! |
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If the 80’s were a movie, this would be it. From the stellar New Wave soundtrack to the use of neon, and the Hasselhoff nod, Atomic Blonde is thoroughly 80’s. Charlize Theron is seriously badass in her role as a spy, while James McEvoy was great as a spy who has spent too much time in Berlin. Between double agents, and brutal fight scenes, you still don’t know who is double crossing who. The cold gray and starkness of the Berlin on both sides of the wall adds a dreariness to this movie in stark contrast to the bright neon and music of the decade.
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A tongue in cheek biopic about the everyone’s favorite working class hero Tonya Harding, I, Tonya paints a brutal picture of her upbringing, as well as her tumultuous marriage to Jeff Gillooly (Sebastian Stan) leading into “The Incident” and its aftermath. Margot Robbie’s Harding is wickedly trashy and Allison Janney, playing Tonya’s mom, is a national treasure. Often breaking the 4th wall, this movie doesn’t get too serious, how can you when the actual events are crazier than any movie? | ||
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In a hard to look at portrayal of social media in our lives, Ingrid Goes West shows what happens when reality can’t be separated from social media. Ingrid moves to California because an Instagram influencer, Taylor, replied to her comment. She then works her way into Taylor’s life via kidnapping Taylor’s dog. It’s painful to watch Ingrid attempt to achieve #bestie status with Taylor, it’s so #desperate and #cringeworthy but you can’t stop watching. Aubrey Plaza is astounding as awkward Ingrid and her performance makes you feel sorry for Ingrid, even when she is making bad decisions. | ||
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At times sweet, and at times heartbreaking, Kumail Nanjiani true story of the courtship of his wife is a great story. Not only does he stand by when his estranged girlfriend falls seriously ill, he also wins over her parents while at the same time, trying to break free from his parents and Pakistani traditions. Though a bit long, the movie is touching and sweet and that mushy stuff I usually don’t fall for. | ||
Marjorie Carvalho is a movie critic on Now Playing Podcast. Read more of her reviews in the Now Playing Podcast book–Underrated Movies We Recommend. You can also follow her on Twitter.
Arnie’s Top 10 Films (and Bottom 1) of ’17
by Arnie Carvalho
2017 was a bit of a rough year for blockbusters, but I did see some all-time great films. As archived per my ratings on Letterboxd, here are the 10 best new films I saw this year.
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In January this year DC superheroes seemed doomed. Other than the Christopher Nolan Batman trilogy, these heroes couldn’t catch a break. Warner Bros’ new Justice League universe of films stumbled repeatedly. But, apart from all that, the filmmakers at LEGO created the best DC superhero film since Nolan’s The Dark Knight with The LEGO Batman Movie. Batman, voiced by Will Arnett, has an emotional character arc but the film never forgets to amuse as it teaches. The lampooning of other Batman movies, plus the inclusion of so many Batman baddies, and bad guys from surprising places, it’s a solid POW of enjoyment that bests both Wonder Woman and Justice League as best DC film of the year! | ||
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It’s a great time for kick-ass women in movies. The epitome of that seems to be Furiosa, Charlize Theron’s one-armed warrior in Mad Max: Fury Road. Theron continues her streak with Atomic Blonde–a cold-war era period piece spy film. Theron plays MI6 agent Lorraine Broughton. On the surface she’s “Jane Bond”, but when the fights begin she pulls out fight moves that would take Bond out with one kick. The action is balanced with great performances from Theron, James McAvoy, and Sofia Boutella, and scored to a slew of ’80s New Wave hits. The fights and the story make this the movie I wished Kingsman: The Golden Circle had been. | ||
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Stephen Soderbergh’s Ocean’s Eleven holds a special place in my heart for being the epitome of the ensemble heist movie. But I don’t need to wait for next year’s Ocean’s Eight to experience that same thrill–Soderberg recaptured that magic with Logan Lucky. The movie follows a group of blue collar criminals who plan to rob the Charlotte Motor Speedway. The able cast keeps our allegiance with the criminals, and the plot has more turns than the Speedway itself. The script is tight and the characters fun. Forget Ocean’s Twelve or Thirteen—this is Soderbergh’s best follow-up to Ocean’s Eleven. | ||
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The Room is widely considered the worst film ever made–a Rocky Horror for the 21st Century. When a film is that obviously broken, where is the fun in picking it apart? Can there be a bigger punchline than the film itself? James Franco clearly proved the answer to be “Yes.” Disaster Artist starts off like many movies of wannabe actors dreaming of becoming stars in Los Angeles–but one of these wannabes is the mysterious and strange Tommy Wiseau. In that way the first half of the movie feels like a comedy-drama. But when Tommy has the idea to write, produce, and fund the picture himself the laughs truly begin. Rarely is Tommy the butt of the jokes (pun intended), but his actions, borne of ignorance, are funny just the same.
You don’t need to have seen The Room to understand the comedy of The Disaster Artist — but it helps. Either way, the film is a sensitive and funny portrayal of perhaps the most enigmatic figures in Hollywood. Hear Now Playing’s full review of The Room now. The full The Disaster Artist review will be out 1/31! |
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Blade Runner is one of the all-time great sci-fi movies, and great noir detective films. There was great skepticism in my mind if 35 years later any follow-up could match the original. Blade Runner 2049 doesn’t quite hit that mark, but it is close.
The plot centers around new Blade Runner K, played by Ryan Gosling. On his latest mission K uncovers a trail that may indicate he may be the first child ever born to a supposedly-sterile replicant. And not just any replicant–Rachel, the love of Rick Deckard (Harrison Ford reprising his role from the original). With this plot 2049 takes the subtext from the original, the never answered “is Deckard a replicant” question, and makes it the plot. Is K a new messiah for replicants, or is he all-too-human? More, 2049 deepens the series’ mythology. We learn replicants are not androids, there’s no circuitry inside those bodies, they are simply genetically engineered and constructed beings. “If you cut them, do they not bleed?” This makes the “retiring” of replicants even more cagey, for how human are they? Do they have a soul? 2049 also has a love story that mirrors the original–our protagonist in love with a machine. Only now, like in Her, it is his personal assistant. It begs the question of what love means, and is love strictly human. With a visual style that echos the original while making it to heights of nearly-unreal color and a score that, while not being by Vangelis, is a suitably atmospheric replacement, Blade Runner 2049 is a feast for the eyes, ears, and mind…be that mind natrual-born or created. |
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I’m seemingly one of the few who remembers the 1990 TV-miniseries It as being a dull, sometimes laughable, failure. Trailers for this new theatrical It had me thinking it would repeat the mistakes of the past. I simply couldn’t envision, even from trailers, how a supernatural clown played by Bill Skarsgård could be scary.
I was dead wrong. It was a suspenseful, terrifying horror film. It’s ’80s setting did make it seem like a Stranger Things clone, but unlike that Netflix series It never pulls It’s punches. Skarsgård is indeed chilling as Pennywise the Clown, and while his screen time is minimal, his presence permeates every frame of It. Aided by solid performances by its young cast, It restored King’s cinematic legacy to glory (let’s just all forget about The Dark Tower) and has me salivating for the 2019 conclusion! Now Playing will review It (2017), It (1990) and the It sequel upon its release September 6, 2019. |
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In an era of YouTube celebrities and Instagram professionals, people measure their self-worth through “likes” and retweets. Doctors have recently discovered that social media is not just a psychological addiction, these online interactions and responses trigger a dopamine high. Getting your post “liked” can chemically make you feel as good as a hug.
This idea is taken to its extreme in Ingrid Goes West, a dramatic comedy starring Aubrey Plaza as an aimless young woman obsessed with Instagram, and the perfect lifestyles portrayed in that media. We watch as she tries to shape her life as many people shape what they share online. It’s a manipulative car-wreck from which I couldn’t look away. Plaza shows a dramatic range I’d not seen in her mostly comedic filmography, and it enabled me to root for her while knowing tragedy is inevitable. It helps that most movie-goers will be able to relate to her obsessive phone-checking. It’s a film that has a message I endorse, and performances that rivet. |
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Of the original Avengers‘ movies, Iron Man, Captain America, Hulk, and Thor, the Thor franchise is the one that hasn’t found a footing. It took Ragnarok — the mythic Norse view of apocalypse — to give actor Chris Hemsworth the superhero he deserves. Literally, everything about Thor is wiped away over the course of this film, including his mighty hammer and his homeworld (and these aren’t spoilers–they’re in every trailer). Yet with all the cataclysmic events, Thor: Ragnarok finds its heart in Guardians of the Galaxy-esque humor. Of course the “He’s a friend from work” line was (over)played in the trailers, but from start to finish Ragnarok left me with a smile on my face…and a lead-in to 2018’s Avengers: Infinity War.
Though Guardians of the Galaxy Vol 2 was released this year, Ragnarok was the film that best captured the mirth and magic of 2014’s original Guardians and has become my favorite film in Phase 3 of the Marvel Cinematic Universe. |
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Odds are you’ve seen The Belko Experiment. While the movie only grossed $11 million worldwide, you’ve still seen it. Perhaps it bore the name Battle Royale, or The Hunger Games — movies in which groups of people are trapped in an arena and forced to murder each other. Those who don’t will have their heads blown off by explosives planted on their bodies.
But Belko sets itself apart by adding in a healthy dose of humor. In this movie the setting is an office building in Columbia filled with American employees. The usual corporate alliances and rivalries are stretched to homicidal extremes, with fun results. It helps that our protagonist Mike, played by John Gallagher Jr., bears a striking resemblance in both looks and performance to John Krasinski, making this feel like the best Office series finale ever! With a dose of Cabin in the Woods type world-building, Belko was my single biggest cinematic surprise of 2017. I walked in expecting okay horror–and walked out with a grin on my face having had a great time. That is one successful Experiment |
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If for no other reason than the three-minute continuous, highly choreographed, opening credits sequence scored to “Harlem Shuffle” Baby Driver is the best made, most artistically ambitious film I saw this year. Yet it has so much more going on than just that spotlight scene. The car chases are equally devised (and done almost entirely practically) creating a vehicular dance that is mesmerizing to behold. It’s a musical in which they only sing along to songs they’re playing, and most of the dancing is done on four wheels, but I can’t look away.
The soundtrack has been on near-constant rotation in my life since the movie’s June release. I can’t get enough of it. More, the film has heart. Ansel Elgort’s Baby may be a criminal getaway driver, but his caring for his deaf foster father Joe, his pure love for waitress Debora, and his “one last job” mentality make him a complex, yet relatable, hero. Add in some Edgar Wright humor (the sunglasses scene is pure gold), a stellar cast, and as many plot turns as U-turns, and Baby Driver speeds past every other movie to be my top of 2017.
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And I’d like to give special mention to the absolute worst movie of the year: Transformers: The Last Knight.
The movie was so loud, obnoxious, stupid, and incomprehensible that it makes Transformers 2 look like The Godfather Part II. It’s complete abuse of respected and returning stars like Anthony Hopkins, Tyrese Gibson, Josh Duhamel, and Stanley Tucci is horrifying. And (other than Hopkins at Stonehenge) it’s not even funny-bad, it’s just excruciatingly painful to your ears and your mind. Don’t try to figure out the plot…this film is actually less than meets the eye. Hear Now Playing’s full review of Transformers: The Last Knight
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Arnie Carvalho is a movie critic on Now Playing Podcast. Read more of his reviews in the Now Playing Podcast book–Underrated Movies We Recommend. You can also follow his movie watching on Letterboxd, and his random ramblings on Twitter.
Stuart’s Top 10 Films of ’17
| by Stuart Atkinson
This whole year seemed riddled with animosity, upheaval, and social breakdown – qualities reflected in most of my favorite 2017 films. |
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10. Downsizing – Hang the marketers for pushing this apocalyptic sci-fi story as a broad comedy. It’s fairly short on jokes once Matt Damon gets small, and definitely leaves audiences uneasy with unanswered questions. Still, I found Downsizing to be a thought-provoking look at a man who is never sure whether he should be living for himself or others. |
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09. The Florida Project – A coming-of-age story that draws a sharp contrast between “have” and “have not” families. A 6-year-old girl living in a fleabag motel gets into all kinds of trouble playing in trash created by neighboring Disney World. I futilely tried to think of options available to single mom Halley that would lead to better outcomes, but ultimately left the theater just grateful I wasn’t a parent. |
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08. Call Me By Your Name – Wealthy academics living in 1983 Italy might sound a world away from the dead-end squalor of Florida Project. But both coming-of-age stories keenly demonstrate how problems in childhood can often go unspoken. Timothee Chalamet gives a remarkably intimate performance as a teenager wrestling with being gay and Jewish in a household where everyone can identify obscure artifacts, but no one dares to articulate their carnal desires. |
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07. The Big Sick – Can a coma bring two cultures together? Silicon Valley star Kumail Nanjiani wrote and starred in the best romantic comedy I’ve seen in ages (which becomes even more impressive when you find out its the true story of how this Pakistani comedian met his wife). |
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06. The Disaster Artist – Watching The Room is no longer enough. Fans of “brown arrow” bad movies must also include a screening of behind-the-scenes tell-all The Disaster Artist. It’s the role of a lifetime for James Franco to be able to star and direct himself as wannabe star/director Tommy Wiseau.
Hear Now Playing’s Full Review of The Room — The Disaster Artist podcast will be released Sunday, 1/31! |
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05. The Square – As fun and feel-good as The Disaster Artist is, I loved Swedish film The Square even more for taking a deeper dive into the tension between art and mainstream society. It’s the story of a museum curator who desperately wants to provide context for the unexplainable nuttiness found in modern art, only to realize how little he knows about being a good man. |
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04. Good Time – I’m going to let Robert Pattinson out of movie jail after seeing how great he is as a failed bank robber going to extremes for his mentally slow brother. The best way to enjoy Good Time is to go in knowing nothing (though I recommend putting lots of pillows on the floor to catch your dropping jaw once the crazy schemes begin). |
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03. Get Out – Much has been made about this Blumhouse horror movie getting nominated for a Best Comedy Golden Globe. But no genre label captures all the things that Get Out does so well. From the tender romance between Daniel Kaluuya and Alison Williams, to the stinging social commentary about cultural appropriation, a climax full of blood and brain splatter, and yes the comedic stylings of scene-stealing TSA agent Rod… there’s something for every taste in this one. |
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02. Detroit – I was shaking when I left Katherine Bigelow’s intense re-enactment of the 1967 Detroit race riots. But then to come home, turn on the TV, and immediately see the fallout over Confederate statues in Charlottesville… it was like I never left the movie theater! Detroit was too hot topic to succeed as escapist summer box office fare, but future generations will likely declare it one of the great summations of our times. |
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01. Three Billboards Outside Ebbing, Missouri – Still, nobody captured small town American rage better than British writer-director Martin McDonagh. His story of a grieving mother who takes to shaming the local police via unused billboard space held a mirror up to the world and dared us to laugh. How WILL we ever come together if everyone thinks their pain gives them the right to lash out in whatever manner they see fit? Watching Frances McDormand and Sam Rockwell squash their beef and head into an uncertain future together summed up everything I’ve been feeling in 2017… and advertised a sequel I desperately want to see (but assume they’ll never make). |
Stuart Atkinson is a movie critic on Now Playing Podcast. Read more of his reviews in the Now Playing Podcast book–Underrated Movies We Recommend
Resident Evil
In 1995 Paul W.S. Anderson scored a major hit with Mortal Kombat, a box office hit grossing more than double any other video game adaptations. In 2002 Capcom hoped Anderson could beat his own high score with Resident Evil. Based on the zombie survival-horror game, this movie brought the game’s iconography and added some martial arts action. The movie was a success and launched the longest-running video game movie franchise. But is this a movie you want to watch, or just play? Join Justin, Stuart, and Arnie to find out!
Arnie C: http://podcast.nowplayingpodcast.com/e/resident-evil-1482885351/
Beyond Re-Animator
Like one of Herbert West’s patients, the Re-Animator series often seems dead and lifeless, but then it springs back up ready for mayhem. Such is the case with Beyond Re-Animator, the third film in the series that was released 14 years after Bride of Re-Animator. Now only Jeffrey Combs and director Brian Yuzna remain to continue the story of West’s experiments…now in a prison and aided by a new novice assistant. Can this Sci-Fi Channel premiere capture the soul of the original, or is it just going through the motions? Thanks to a donation to Now Playing you could listen to find out!
Arnie C: http://podcast.nowplayingpodcast.com/e/beyond-re-animator/
Dune Messiah by Frank Herbert
Everybody wants to rule the galaxy…but is it all it’s cracked up to be? Now Emperor, Paul Atreides must balance his leadership with numero
us plots to undermine him. After the great success of Dune, can Frank Herbert match with the sequel: Dune Messiah? Join Stuart in this review to find out!
Arnie C: https://booksandnachos.podbean.com/mf/play/zgys9b/BN130-DuneMessiah.mp3
Rogue One – A Star Wars Story
Fans of Star Wars comics, books, video games, and cartoons have long known the universe is ripe for adventures outside of the Skywalker family tree. But with Rogue One this type of story comes to the big screen for the first time. Detailing the group of rebels who steal the original Death Star plans, this film was seen as a creative risk by Lucasfilm. The result was one of the biggest opening weekends of all time; another super-successful Star Wars movie. But was it a story that needed to be told? Join the Now Playing Podcast hosts to find out!
Arnie C: http://podcast.nowplayingpodcast.com/e/rogue-one-a-star-wars-story-1482197621/
Bride of Re-Animator
Jeffrey Combs is back to raise the dead again in Bride of Re-Animator. His character Dr. Herbert West, along with several supporting characters, returned to Arkham for this body-bending sequel. Behind the scenes, however, things were shaken up as Brian Yuzna, who produced the original, replaces Stuart Gordon. Do our hosts say “I Do” to this sequel? Support our show by donating to find out!
Note: This podcast is not available for general download. The Re-Animator Movie Retrospective Series was made as a special “Thank you” for those Now Playing Supporters who donate between September 1 and December 31, 2016.
You can listen to a preview of this podcast now, and then visit our donation page to find out how to pledge and support Now Playing!
Arnie C: http://podcast.nowplayingpodcast.com/e/bride-of-re-animator-1481940300/
Children of Dune
The original Dune mini-series broke Sci-Fi channel records for viewing. Three years later they attempted to hit that same peak with the sequel Children of Dune. Combining the stories of two Frank Herbert novels, this three-part series brings back old characters and introduces new ones in the continuing story of House Atreides. Should you watch these Children? Listen to this episode of Now Playing to find out!
Arnie C: http://podcast.nowplayingpodcast.com/e/children-of-dune/
Re-Animator
In 1985 slasher films were the bread and butter of horror. That all changed with Re-Animator–a crazy, gory, wild zombie film that delivered splatter and humor in equal measure. Loosely based on the H.P. Lovecraft story “Herbert West: Re-Animator”, the film starred the then-unknown Jeffrey Combs as the titular scientist. The unrated film became a midnight movie staple, and an unlikely critical hit! So now if you support Now Playing you can join our hosts as they inject some Re-Agent into this franchise and see how the body holds up over 30 years later!
Arnie C: http://podcast.nowplayingpodcast.com/e/re-animator-1481332060/
Chopping Mall — Interviews with director Jim Wynorski and writer Steve Mitchell
In this holiday season you can head to your local Chopping Mall to pick up the new Blu-Ray release of this 1986 horror cult classic. A brand new transfer and lots of bonus features accompany this new release. Going even further, on this podcast Arnie Carvalho talks to Chopping Mall director Jim Wynorski and writer Steve Mitchell, dispelling internet rumors and finding out about the making of this film.
Dune by Frank Herbert
Frank Herbert’s 1965 landmark novel DUNE is one of the most celebrated works of the science fiction genre, but does today’s reader have to be a Mentat in order to wrap their mind around its dense mythology? Host Stuart In LA promises, “there’s nothing to fear…. fear is the mind killer.” Join him as he dives headfirst into this first chapter of his six podcast exploration of the Duneverse.
Arnie C: https://booksandnachos.podbean.com/mf/play/4vjy3k/BN129-Dune.mp3
Dune (2000)
The Dune novels have built a universe full of history and lore. So many details and characters exit that it seemed even David Lynch had trouble squeezing Frank Herbert’s original novel into two hours, but could it work in six?
Arnie C: http://podcast.nowplayingpodcast.com/e/dune-2000/
From Beyond
After 1985’s Re-Animator was a critical and financial success the cast and crew reunited to adapt another Lovecraft story–From Beyond. But with Stuart Gordon and Brian Yuzna at the helm this film is a sticky, kinky, perverse horror that Lovecraft could never have imagined. What is this horror film about, and should you watch it? Go BEYOND and help support Now Playing with a donation and you can listen to find out!
Arnie C: http://podcast.nowplayingpodcast.com/e/from-beyond/
Dune (1984)
Frank Herbert’s novel Dune had a long path from the novel to film. After a series of false starts it finally hit theaters in 1984 directed by Oscar nominated director David Lynch. The director turned down Return of the Jedi for this other sci-fi epic. Yet while both are space fantasies on desert planets, Jedi was populated with muppets and Dune came with a pamphlet to help moviegoers unfurl the dense narrative. How much of this film is Herbert and how much is Lynch, and is this film the worm or the hook? Join the Now Playing podcast hosts to find out!
Arnie C: http://podcast.nowplayingpodcast.com/e/dune-1984-1480462884/
Trick Or Treat
Believe it or not, there was a time when heavy metal music was frightening! Politicians and religious figures banded together to save the youth from the satanic forces of rock. In the midst of such hysteria comes Trick or Treat in which playing an album backwards summons the demonic soul of a murderous rocker. Do cameos by Gene Simmons and Ozzy Osbourne make this a rockin’ good time? Donors who support our show can listen to find out!
Note: This podcast is not available for general download. The Horror Films of 1986 Movie Review Series was made as a special “Thank you” for those Now Playing Supporters who donate $25 or more to Now Playing between September 1 and December 31, 2016.
Arnie C: http://podcast.nowplayingpodcast.com/e/trick-or-treat-1480114886/
Ferris Bueller’s Day Off
As the school year ended in 1986 John Hughes gave the world a film honoring playing hooky — Ferris Bueller’s Day Off. On the surface this is a fluffy comedy about three teens set loose in Chicago, but its themes and characters clicked with audiences and have endured for thirty years. Now, as Now Playing continues its look at the films of 1986, Arnie, Marjorie, and Justin skip school to give you this bonus movie review. Is this the best Day ever? Join them to find out!
Arnie C: http://podcast.nowplayingpodcast.com/e/ferris-buellers-day-off-1479964812/
The Elephant Man
I am not an animal! I am a human being! That quote from David Lynch’s The Elephant Man has become part of the American lexicon, quoted in literally hundreds of movies and television shows. But what of the film that created the quote? Lynch’s 1980 black and white biopic, his first commercial production, was nominated for eight Academy Awards and won many other statues. How does The Elephant Man hold up over 35 years later? Take the bag off your head, put in your earbuds, and join Arnie, Jakob, and Stuart to find out!
Arnie C: http://podcast.nowplayingpodcast.com/e/the-elephant-man/
Deadly Friend – Support Now Playing and get this bonus review!
By 1986 Wes Craven had been making horror films for more than a decade. After the instant success of his signature film A Nightmare on Elm Street he was able to write his own ticket for a follow-up film. Of all the scripts available to him, the movie he chose was Deadly Friend–a box office bomb and critical failure. How did this happen? And is this film’s bad reputation truly deserved? If you donate to help keep Now Playing on the air you can join Arnie, Stuart, Jakob, and BB to find out!
Plus we are giving away a DVD of Deadly Friend signed by star Kristy Swanson! No donation is needed to win. Head to our forums for details how to enter!
Arnie C: http://podcast.nowplayingpodcast.com/e/deadly-friend-support-now-playing-and-get-this-bonus-review/
Eraserhead
David Lynch is a popular director of such films as The Elephant Man, Dune, Wild at Heart and Mulholland Drive. And he became a household name with his 1990 TV Series Twin Peaks where “Who killed Laura Palmer?” was the new decade’s “Who shot JR?”. But before all those films came Eraserhead – Lynch’s surreal feature debut. It has become a midnight-movie cult hit and its meaning has been debated for decades. Now you can join Arnie, Stuart, and Jakob as they give their analysis and review!
Arnie C: http://podcast.nowplayingpodcast.com/e/eraserhead-1479243546/
The Fly II
David Cronenberg is a hard act to follow. He is a cult filmmaker with an undeniably unique visual style. So without the director returning to the franchise, it’s unlikely 1989’s The Fly II will match the vision of the original, so new director Chris Walas doesn’t even try. Instead The Fly II is a more classic horror-revenge film, with Eric Soltz as the son of Seth Brundle, fly DNA in his veins. Does this film succeed as a splatter flick? If you support the show Now Playing puts out week after week you can now hear this review, and every review in The Fly Retrospective Series!
Arnie C: http://podcast.nowplayingpodcast.com/e/the-fly-ii/
Doctor Strange
Fourteen movies into the Marvel Cinematic Universe comes the Strangest movie yet – Doctor Strange. This film eschews all the other movies’ science fiction basis to bring that magic feeling to the franchise. Can lauded actors Benedict Cumberbatch, Chiwetel Ejiofor, Rachel McAdams, and Tilda Swinton cast their spell on our reviewers? Listen now to find out!
Arnie C: http://podcast.nowplayingpodcast.com/e/doctor-strange-1478644243/
The Fly (1986)
It’s rare for a remake to eclipse the original’s popularity. However, David Cronenberg’s reimagining of The Fly has done that. When people think of The Fly they are more likely to think of Jeff Goldblum, his skin mottled, his fingernails and teeth falling out, than they are Vincent Price and the man-bug screaming “Help me! Help me!”. Now The Fly remake turns 30. Do its Academy Award winning monster makeup and memorable body horror hold up? If you support our show you can join Arnie, Jakob, and Stuart to find out!
Arnie C: http://podcast.nowplayingpodcast.com/e/the-fly-1986/
Rob Zombie’s 31
After swearing he was done with horror movies, director Rob Zombie scared up some crowd-funded money to make a tale of Halloween murder– 31. Featuring a group of carnies trapped by psychotic clowns, the film is a throwback to Zombie’s earliest films. But is retro horror what we need, or is it just too much clowning around? Join the Now Playing hosts as they treat your trick with this special Halloween movie review!
Arnie C: http://podcast.nowplayingpodcast.com/e/rob-zombies-31-1477947154/
Sinister 2
It took three years for Blumhouse to scare up a sequel to Sinister. Original creator Scott Derrickson had moved on to make Dr. Strange, but he returned to co-write and produce this follow-up. But can a story of a demon shaming Deputy So & So live up to the suspense of the original? Justin, Stuart, and Arnie are here to fill your trick or treat bag with this bonus podcast! So listen to find out!
Arnie C: http://podcast.nowplayingpodcast.com/e/sinister-2/
Vamp – A Podcast Preview
In a time where vampire films were plentiful, including The Lost Boys, Fright Night, and many more, Vamp stood alone. With its striking visual style, a focus on humor over horror, and ads heavily promoting star Grace Jones, this sexy, violent gory comedy was unique. Now Stuart, Arnie, and Jakob bite into Vamp. Donate to Now Playing and you can join them and hear this review!
Arnie C: http://podcast.nowplayingpodcast.com/e/vamp-a-podcast-preview/
Pet Sematary Two
The Pet Sematary series returned from the grave in 1992. The three years in the ground (or the video stores) did it no favors as the return looked little like the ‘89 original. Gone was the entire cast, replaced by new star Edward Furlong — fresh off his success of Terminator 2. Can returning director Mary Lambert reanimate this franchise, or does this sequel smell of rot and death? Dig up this show to find out!
Arnie C: http://podcast.nowplayingpodcast.com/e/pet-sematary-two/
Sinister
One of the most acclaimed horror films of this decade was Sinister. On the surface this Blumhouse production seems little different than many haunted house films like Paranormal Activity and Insidious. But Sinister hit a note with fans, and its success and style set director Scott Derrickson on the path to direct Marvel’s Doctor Strange. Is this another false scare, or is there something truly Sinister here? Listen to find out!
Arnie C: http://podcast.nowplayingpodcast.com/e/sinister/
April Fool’s Day
After Friday the 13th, Halloween, Black Christmas, Father’s Day, Mother’s Day, New Year’s Evil, Silent Night Deadly Night, and so many more calendar themed slashers comes…April Fool’s Day! On this Spring weekend a group of preppies visit their friend on her private island. Soon the pranks end when their bodies turn up one by one. But is this one Fool worth following? Donate to keep Now Playing on the air and you can join Arnie, Stuart, and Jakob to find out!
Arnie C: http://podcast.nowplayingpodcast.com/e/april-fools-day-1477066124/
Pet Sematary
In 1983 King published Pet Sematary – the book he dubbed to scary to print, with a title too difficult to spell. The book was a smash success. Six years later the film adaptation was released. Can it possibly be as frightening as the source novel? Join
Arnie C: http://nowplayingpodcast.libsyn.com/pet-sematary
Chopping Mall – A Podcast Preview
In the ’80s every teen wanted to hang out at the mall, often getting into trouble. But when a group of employees decide to party in the mall after hours they find themselves in more trouble than they ever imagined–on the run from homicidal security robots! It’s a concept that could cause your head to explode. But should you shop in the Chopping Mall? Help Now Playing by donating to support our show and you can find out! And Have A Nice Day! Note: This podcast is not available for general download. The Horror Films of 1986 Movie Review Series was made as a special “Thank you” for those Now Playing Supporters who donate $25 or more to Now Playing between September 1 and December 31, 2016.
Arnie C: http://nowplayingpodcast.libsyn.com/chopping-mall-a-podcast-preview
Christine
By 1983 Stephen King had been christened the “King of Horror”, his every book a bestseller, and his three films hits. John Carpenter was an acclaimed horror director who created the modern slasher with Halloween. When these two masters of terror joined forces to make 1983’s Christine, could the results be anything but frightful fun? Join Arnie, Stuart, and Jakob as they review the carnage to find out!
Arnie C: http://nowplayingpodcast.libsyn.com/christine
House
The movie House may be more remembered for its art — a ghoulish
hand reaching for a doorbell — than for its plot. But if you opened
that door you find a haunted house tale of a Vietnam vet trying to cope
with his missing son. How do the Now Playing hosts appraise this House and its cast of familiar small-screen stars? If you donate to Now Playing you can come on in and find out!
Arnie C: http://podcast.nowplayingpodcast.com/e/house-1477067406/
Tales from the Darkside: The Movie
From the minds of Stephen King and George Romero comes Tales from the Darkside: The Movie…a horror anthology like no other. Well, scratch that, it’s like several others–including Romero’s own Creepshow! In fact, the King story in this film was written by Romero for Creepshow 2, but now it’s joined by two other stories of monsters and murder. Are these Tales the best Creepshow sequel of all? Join us to find out…but only if you promise to never tell!n
Arnie C: http://nowplayingpodcast.libsyn.com/tales-from-the-darkside-the-movie
The Hitcher (1986)
In The Hitcher C. Thomas Howell is a young man driving cross
country. To stay awake he picks up a hitchhiker on the freeway…and
it’s a mistake he may not live to regret. But should you pick up The Hitcher for
a good scare, or keep on driving by? Arnie, Stuart, and Jakob let you
know in this first review of the “Horror Films of 1986″ Review Series! Donate to Now Playing today and you can hear this, and all eight horror movie reviews!
Arnie C: http://podcast.nowplayingpodcast.com/e/the-hitcher-1986/
Creepshow 3
Nearly 20 years after the last Creepshow left theaters a third installment creeped onto video shelves. Five more tales of terror await, but now they are all intertwined with crossover characters and a twisting timeline. Does this add enjoyment to the final Creepshow? Grab a hot dong and join Arnie, Stuart, and Jakob to find out!
Arnie C: http://nowplayingpodcast.libsyn.com/creepshow-3
Curse of the Fly
In 1965 20th Century Fox released a third (and final) sequel to the original The Fly. A radical departure from the previous films, Curse of the Fly had no Vincent Price and no fly! So what makes this film something that a Now Playing host chose as an Underrated Movies We Recommend? Support Now Playing today to find out!
Arnie C: http://nowplayingpodcast.libsyn.com/curse-of-the-fly
Blair Witch
The studio made it in secret. No one knew that Adam Wingard’s new horror film The Woods was actually the third installment of the Blair Witch film series. This one goes back to the original 1999 film in both universe and style. Watch the found footage as James Donahue, brother of the original film’s Heather, leads a new crew into Burkittsville to try and uncover the age old mystery. Is this a great return to form? Head into the woods with Jakob, Arnie, and Stuart to find out!
Arnie C: http://nowplayingpodcast.libsyn.com/blair-witch
Return of the Fly
Less than a year after audiences were terrified by The Fly came its fast-tracked sequel. The plot is the same, but the cast is almost entirely different–only Vincent Price returned from the first film. But should we celebrate The Return of the Fly? Support Now Playing with a donation of $10 or more before December 31, 2016 and you can join Jakob, Stuart, and Arnie to find out!
Note: This podcast is not available for general download. The Fly Movie Retrospective Series was made as a special “Thank you” for those Now Playing Supporters who donate between September 1 and December 31, 2016.
You can listen to a preview of this podcast now, and then visit our donation page to find out how to pledge and support Now Playing!
Arnie C: http://podcast.nowplayingpodcast.com/e/return-of-the-fly/
Ferris Bueller’s Day Off – 30th Anniversary Soundtrack
When you think of Ferris Bueller what comes to mind? Is it “Oh Yeah”? Or perhaps the Star Wars theme playing while Cameron’s Ferrari shot above the city streets. And the iconic parade scene with Ferris lip syncing The Beatles’ “Twist and Shout”. But for all the important music moments in the film, Ferris Bueller’s Day Off never had a soundtrack…until now. And to talk about it are Arnie, Marjorie, and Justin along with some guests. Join them for some music, some information, and a review of this new Ferris Bueller’s Day Off CD.
Arnie C: http://podcast.nowplayingpodcast.com/e/ferris-buellers-day-off-30th-anniversary-soundtrack/
Creepshow 2
Five years after Stephen King and George Romero revived the horror anthology with Creepshow, New World Pictures released the sequel. The poster looked the same, but there was a new director, Romero was now only writing, and King had a “Story By” credit. With just three tales of terror, versus the original’s five, is the humor as sharp and the horror as scary? Get your ticket and join Jakob, Stuart, and Arnie to find out!
Arnie C: http://nowplayingpodcast.libsyn.com/creepshow-2
The Fly (1958) – A Podcast Preview
From the pages of Playboy magazine sprung a horror classic–The Fly! In 1958 this sci-fi fright film scared audience members while also scaring up big money for the studio, all while setting Vincent Price on the path to his career as a horror icon. Its ending has become a cultural reference everyone gets. But now, almost 60 years later, can you still be afraid of…The Fly? If you want to find out…help us! Help us! Donate to keep Now Playing running and hear reviews of all the Fly films!Note: This podcast is not available for general download. The Fly Movie Retrospective Series was made as a special “Thank you” for those Now Playing Supporters who donate between September 1 and December 31, 2016.
You can listen to a preview of this podcast now, and then visit our donation page to find out how to pledge and support Now Playing!
Arnie C: http://podcast.nowplayingpodcast.com/e/the-fly-1958-a-podcast-preview/
Creepshow
Stephen King was a master of written horror, and George Romero a master of cinematic scares. And in 1982 those two combined forces to bring you Creepshow — five tales of terror, written by King and directed by Romero. Were two kings of horror better than one? Join Arnie, Stuart, and Jakob as they creep up on you with this review!
Arnie C: http://nowplayingpodcast.libsyn.com/creepshow
Stand by Me
They didn’t market Stand by Me as a Stephen King film. In 1986 a period piece drama didn’t fit with King’s history of films, including axe murderers, ghosts, zombies, vampires, and killer semis. Few would have thought this 50’s coming-of-age nostalgia piece was from King’s short story “The Body.” Yet the movie was a smash hit, nominated for Golden Globe and Academy Awards. How does this movie hold up thirty years later, playing to people other than Baby Boomers? Stand by Arnie, Stuart, and Jakob to find out!
Arnie C: http://nowplayingpodcast.libsyn.com/stand-by-me
Apt Pupil
A Nazi in hiding is uncovered by a suburban boy, and the result is blackmail and bloodshed. That is the story of Apt Pupil, Bryan Singer’s directorial follow-up to his breakthrough The Usual Suspects. Is Kurt Dussander’s secret past a mystery on par with Keyser Söze? Join Arnie, Stuart, and Jakob to find out!
Arnie C: http://nowplayingpodcast.libsyn.com/apt-pupil
The Shawshank Redemption
The Shawshank Redemption has been voted the #1 movie of all time by IMDB.com users. It was nominated for seven Academy Awards, including Best Picture, Best Adapted Screenplay, and Best Actor for star Morgan Freeman. It has played endlessly on TNT. And yet, upon its release, the film flopped in theaters. Is history right? Is this the best movie of all time, underappreciated when it first came out? Join Arnie, Stuart, and Jakob to find out!
Arnie C: http://nowplayingpodcast.libsyn.com/the-shawshank-redemption
Suicide Squad
Earlier this year DC brought Batman back to the big screen in Batman v Superman: Dawn of Justice. Now it’s time for his nemesis to get the spotlight. Suicide Squad stars villains like Joker, Harley Quinn, Deadshot, and Enchantress — a group of bad people who may be able to do some good. The characters are the worst of the worst…but is the film also the worst? Join Arnie, Stuart, and Jakob to find out!
Arnie C: http://nowplayingpodcast.libsyn.com/suicide-squad
Batman: Assault on Arkham is the Original Suicide Squad!
NOTE: Now Playing Podcast and La La Land Records are giving away 5 copies of The Killing Joke limited CD Soundtrack. Follow @nowplayingpod on Twitter and retweet their pinned tweet to enter!
Starting today, DC movies are committing Suicide. Sure, everyone knows Batman, Superman, and Wonder Woman – the featured characters in last Spring’s Batman v Superman: Dawn of Justice. But Killer Croc? Deadshot? Captain Boomerang? These are some lesser known characters–and the stars of the new movie Suicide Squad. With an August release date and a story of criminals out to do good, it’s obvious DC is hoping to capture some of Marvel’s Guardians of the Galaxy magic (and dollars). Outside of comic book die-hards these characters aren’t household names, but with this film DC hopes they will be. So to prepare for this live action film, I watched another movie version of this tale: DC’s 2014 animated direct-to-video Batman: Assault on Arkham.
Like the live-action film, this cartoon tells of a “Suicide Squad” formed to infiltrate Arkham Asylum — Gotham City’s infamous sanitarium for the criminally insane. Government official Amanda Waller calls together a team of seven criminals to covertly infiltrate the prison. Batman foe The Riddler is imprisoned there, and he has a thumb drive that could expose Waller’s above-the-law operations. The group she assembles consists of five lesser-known DC baddies: Captain Boomerang, King Shark, Killer Frost, Black Spider, and the hilariously named KGBeast. For a little star power, the headliners are two more popular Batman enemies: Harley Quinn and Deadshot. For full disclosure, I certainly hadn’t heard of most of the characters in this film. When it comes to DC comics, if a character wasn’t featured in a live-action film or the ‘60s Batman TV show, odds are I don’t know them. I have seen a handful of episodes of Batman: The Animated Series though, and I find great enjoyment in several of DC’s direct-to-video animated films.
I suspect those excited by seeing Captain Boomerang and KGBeast in action are already DC Comics readers and fans. Those die-hards would excitedly pre-order a Suicide Squad animated film, because they know what that means. Instead, for marketing, this movie is called Batman: Assault on Arkham but the Dark Knight is very much a supporting player in this tale. This movie should have been called Suicide Squad, but wasn’t, I suspect, for two reasons. First, invoking Arkham in the title shows this movie is set in the universe of the immensely successful Batman: Arkham video games. In fact, the movie is a sequel to Arkham: Origins and takes place about two years before the original Arkham Asylum game. Second, giving Batman top billing appeals to more casual fans like me. Without a heavy marketing campaign like the live-action film has, I would likely skip an animated movie called Suicide Squad. Call it Batman and you have my interest. If you don’t know these characters as I didn’t, it won’t be a barrier to your enjoyment. These enslaved villains are introduced quickly with ‘70s style title cards announcing their names. Before you know it, this motley crew is rounded up and told of their mission. If they don’t comply, Waller will detonate explosives planted in their necks.
Why are these specific people chosen? Why use criminals instead of more traditional assassins? The film glosses over the answers so we can get to the action! |
| Once the titular Assault begins, the fun never ends. The plot is full of so many twists and turns I am hesitant to discuss them lest I rob you of the fun of discovery. Suffice it to say the team’s objectives change every ten to fifteen minutes, and when Quinn’s former beau The Joker shows up, it all goes sideways.
The animation is rudimentary, and I sometimes had trouble distinguishing between Deadshot and Black Spider. Even though one is African-American and the other Caucasian, the coloring muted the skin tones. Add to that identical facial hair, somewhat similar hairstyles, and my lack of familiarity with these characters, at times I found myself confused.
Despite that, this hard PG-13 cartoon did the seemingly impossible–the action excited me. This Squad isn’t afraid to kill some cops in brutal ways. In truth, I haven’t seen so many decapitations since David Cronenberg’s original Scanners! Not only are nameless guards and cops taken out, but so are some characters from DC Comics. The team is called a Suicide Squad and, surely enough, some of them don’t survive the mission. This feeling that all the characters are at risk upped the suspense–no one feels safe in this cartoon. If you know these characters, if you are steeped in the Arkham video game universe, I can only imagine your enjoyment is even greater than mine. I did, however, become giddy when Poison Ivy, Bane, Penguin, and other characters I actually knew, made minor appearances.
Beyond violence, there is a PG level sex scene, and some “almost see it” nudity with the femme fatales Quinn and Frost. What the film lacks in visuals, it makes up for in the score. The music is omnipresent and sets a mood that the script and characterizations sometimes fail to do. But I found myself tapping my fingers throughout. The voice acting is also well done. Nearly all the actors, including Kevin Conroy (Batman), C.C.H. Pounder (Waller), and Jennifer Hale (Killer Frost), have played these characters for years. Their familiar performances were welcome. Newcomers Greg Ellis (Captain Boomerang), Neal McDonough (Deadshot) and Giancarlo Esposito (Black Spider) also do very well.
I did, however, truly miss Mark Hamill and Arleen Sorkin, the respective voices of The Joker and Harley Quinn since the ‘90s Batman: The Animated Series and several of the Batman: Arkham games. Both had retired from the role (though Hamill reprised in this year’s Batman: The Killing Joke). Troy Baker and Hynden Walch are fine in the roles, but I felt a lack of menace and chaos from both. While Batman: Assault on Arkham is by no means a perfect movie, its manic action is a blast. The script does an admirable job of introducing the characters and the “Suicide Squad” concept. And, based on the trailers, I strongly suspect today’s live-action Suicide Squad took many beats from this animated version. I give Assault on Arkham a solid Recommend. Now Playing Podcast’s review of Suicide Squad will be released Tuesday, Aug 9th! Buy Batman: Assault on Arkham now on Blu-Ray Buy Batman: The Killing Joke now on Blu-Ray Hear Now Playing Podcast’s entire Batman movie review series. *Note: There are no plans for Now Playing Podcast to do podcast reviews of the direct-to-video DC Animated films. |
Jason Bourne
It’s been nine years since Matt Damon last played Jason Bourne. But now he is back, ready to uncover new secrets about Treadstone and what turned David Webb into Jason Bourne. Do Greengrass and Damon still have the spark that made those original films so memorable, or should they have not Borne out another sequel? Join Arnie, Stuart, and Jakob in this podcast movie review to find out!
Arnie C: http://nowplayingpodcast.libsyn.com/jason-bourne
Review – Batman: The Killing Joke (Out today on Blu-Ray!)
| NOTE: Now Playing Podcast and La La Land Records are giving away 5 copies of The Killing Joke limited CD Soundtrack. Follow @nowplayingpod on Twitter and retweet their pinned tweet to enter!
I would love to see [The Killing Joke] depicted in animation style with Mark Hamill coming back, cuz I’m hearing Mark Hamill’s voice the whole time I’m reading the Joker’s lines anyway.
The animated movie adaptation of Batman: The Killing Joke is every bit as disturbing and entertaining as Alan Moore’s original graphic novel. DC Comics and Warner Bros. Animation have been pushing the envelope with direct-to-video superhero movies. Violent deaths, sex scenes, and a peppering of profanity can be seen in several cartoon films, including Batman: Assault on Arkham, Batman: The Dark Knight Returns, and Batman vs Robin. Given this teen-audience aim, I hoped for The Killing Joke to get adapted since first reading it in 2012. I was excited when the project was announced, and nearly ecstatic that it would be shown in theaters for two nights by Fathom Events*. This seemed to raise the bar — would this be a Batman animated film on par with Nolan and Burton’s live-action movies? The answer is “no”. But it’s close. The final 40 minutes of The Killing Joke ranks among the best I’ve seen on screen–big screen or small. But it takes a while to get there. Writer Alan Moore and artist Brian Bolland’s 48-page graphic novel is too short for feature-length. To pump this movie to 76 minutes (still 4 minutes shy of the Screen Actors Guild definition of a film) producer Bruce Timm and writer Brian Azzarello padded the script with a 30-minute first act. This is a separate story entirely from The Killing Joke. The Joker is nowhere to be seen, and Commissioner Gordon only appears briefly.
The film’s first dialogue is Batgirl breaking the fourth wall, saying, “I realize this is probably not how you thought the story would start, not with a big shiny moon or a city that could look stunning in spite of itself. Or me.” She’s right. Batgirl, also known as Barbara Gordon, is the star of this first act. Tara Strong returned to voice this character who she’s portrayed since 1997. The story is of Batgirl’s pursuit of sociopathic gangster Paris Franz, who is obsessed with the spandex-wearing crimefighter. He wants to date, or rape, her–and he doesn’t seem to care which it is. But Batgirl is infatuated with someone else–Batman. Interludes show Barbara working in the library and discussing the emotionally distant man she desires. Batman, on the other hand, shows only a professional interest in his younger trainee, which lends their relationship almost a 50 Shades of Gray quality. She desperately wants him to love her–he only wants the violence. The result is truly a romantic drama painting Barbara Gordon as a lonely, pining librarian. Are we supposed to cheer when Batgirl finally pins Batman and plants a kiss on his lips, bedding The Bat? I truly don’t know.
I do find this story reductive. Batgirl can kick ass but here she’s defined only by her desire for love. Batman refusing to return her calls after their one night stand is trite soap-opera melodrama. Yet I understand why Timm and Azzarello put this in the movie. Yes, they needed to extend the running time, but this also gives Barbara Gordon context. It can be presumed readers of The Killing Joke know her heroic history as Batgirl, but a movie audience needs to be shown. Also, Moore has been accused of misogyny for what happens to Barbara in his story — she is barely featured other than to be tortured. This fleshes out her character. Her monologue continues: “I wanted you to know that before the horror began, before it all came crashing down, there was a time when capes and cowls and fighting crime was really exciting.” The filmmakers needed to make her a hero to deepen her character, and to make what happens later all the more tragic. The end result feels like Watchmen-lite. Batgirl and Batman shagging reminded me of Silk Spectre and Nite Owl. They are turned on by the fight, and the costumes. Yet this lacks Moore’s subtlety or postmodern commentary. It is simply a cartoon relationship.
|
30 minutes into this film, Batgirl’s role is diminished. Batman enters Arkham Asylum to talk to The Joker, and Moore and Bolland’s Killing Joke begins. This second half of The Killing Joke movie is a direct, almost line-for-line recreation of the graphic novel. Moore is uncredited as he dislikes movies based on his comics, but the spirit and words from his graphic novel are displayed large on the screen. Many fans are ardent enthusiasts of Moore’s works and here, like in the 2009 film adaptation of Watchmen, it seems the source material is treated to reverential to alter. It seems there is a paralysis of creativity, a fear of changing Moore’s words. This extends also to Bolland’s art style. The on-screen Batman and Joker look radically different than in previous cartoons…and identical to Bolland’s graphic novel designs. This sticks out as many of the minor characters, including Barbara Gordon and the Joker’s circus freak gang, are drawn in a style much more in line with Timm’s previous works like Batman: The Animated Series. The Joker flachbacks are also colored like the original comic.
In animation, using a computer to create smooth motion between two still images is called “tweening”. This movie almost feels like they scanned in Bolland’s pages and Moore’s script and “tweened” them to create a film. The voice actors range in quality. While Kevin Conroy has portrayed Batman since the beginning of Batman: The Animated Series in 1992, his portrayal is rather flat. Never do I hear a Batman on the verge of homicide. However, Mark Hamill shines as The Joker. Hamill famously retired from this role after the acclaimed video game Batman: Arkham Knight. In a pre-movie featurette Hamill mocks himself for saying that, and explains the promise of doing Moore’s classic story enticed him back. He is absolutely amazing. His vocal intonations drip with evil menace. He even performs an atonal, amoral musical number “I Go Looney” — finally giving music to Moore’s words. And he does it with aplomb. He shines as much as Jack Nicholson or Heath Ledger in this role. So close to the release of Suicide Squad, this sets a high bar for Jared Leto, as many Bat-fans will have Hamill fresh in their minds.
While Joker’s song may not have you humming along, its chaotic sound is perfect for the scene. Yet I was more impressed by the film’s score (revealed in a post-film featurette to be fully orchestrated). The music is bombastic and deep and may be my favorite Bat-score since Danny Elfman’s originals. The score, including “I Go Looney” is available on a limited edition CD from La La Land Records. Twin Peaks star Ray Wise voices Commissioner Gordon. His first time performing this role, his participation seems a bit of typecasting. He is best known for playing the grieving father of Laura Palmer in that ‘90s ABC series. Here he is again a father in despair over the violence Joker does to his daughter Barbara. His performance is mostly relegated to wails and moans while his character is dragged around naked on a leash. For this, Wise is suitably adequate.
Yet for the implied nudity and violence, and for its R rating, The Killing Joke is remarkably mild. A sex scene ends with a glimpse of a bra. Someone is shot and covered in blood, but their clothes aren’t even torn. There is some cursing, but they never even use the single F-word allowed in PG-13 films, let alone a tirade of profanity R ratings have. I believe the rating is more a publicity stunt than a reflection of the film’s content. I’ve seen far worse violence and language in live-action PG-13 films. Yet this R rating tells adult fans “this is for you” and, perhaps intentionally, prevents younger fans from getting in. An R rating is a rule enforced by theaters, whereas PG-13 is a guideline for parents. The Killing Joke doesn’t earn an R rating, but it is best if it keeps out kids aged 8 or under. All told, if fans of Moore’s graphic novel can make it through the Batgirl Romance story they should be pleased with the final 40 minutes of The Killing Joke. It is a violent and trippy Batman tale, just like the source material. Recommend The Blu-Ray and DVD will be released Aug 2, 2016 Hear Now Playing Podcast’s entire Batman movie review series. *Note: There are no plans for Now Playing Podcast to cover the direct-to-video DC Animated films. |
Star Trek Beyond
On Thursday, September 8, 1966, Star Trek beamed into people’s homes for the first time. Since then, Star Trek has become a cultural phenomenon spanning 725 television episodes across six series, and 12 movies. But now it is time for Star Trek to go Beyond. Is there still power in those warp coils on the Enterprise’s 13th voyage in theaters? Join Arnie, Stuart, and Brock to find out!
Arnie C: http://nowplayingpodcast.libsyn.com/star-trek-beyond
The Last Starfighter
A long time ago, in a trailer park far, far away… a teen named Alex beat the high score on the Starfighter arcade. But it wasn’t just a game–it was a proving grounds for fighters to join an intergalactic war. Is Alex the Luke Skywalker for the ’80s? And how does this film’s once-groundbreaking CGI hold up over 30 years later? Join Arnie, Marjorie, and Justin to find out!
Arnie C: http://nowplayingpodcast.libsyn.com/the-last-starfighter
Ghostbusters (2016)
It’s been almost 30 years since the Ghostbusters took control, and despite repeated attempts the closest we got to a Ghostbusters 3 was the 2009 Atari video game. But finally we have an all new Ghostbusters — a total reboot that shows the original formation of three scientists to stop poltergeists from plaguing New York City. The film was politicized and mired in controversy almost from the moment it was released, but when you get past all that–is the movie good? Supporters of Now Playing can join Stuart, Jakob, and Arnie to find out!
Arnie C: http://nowplayingpodcast.libsyn.com/ghostbusters-2016
The Bourne Legacy
The Bourne Ultimatum proved its box office dominance, and director Paul Greengrass and star Matt Damon were ready leave Jason Bourne behind. But Universal Pictures wasn’t going to let that stop their blockbuster franchise, so enter The Bourne Legacy! Jeremy Renner stars as Aaron Cross – another covert super soldier from the same CIA operations as Bourne. Rather than risk exposure, the CIA has chosen to kill all their agents and start over. Can Cross survive this extinction protocol? And can the franchise survive without its signature star and character? Join Arnie, Stuart, and Jakob now to find out!
Arnie C: http://podcast.nowplayingpodcast.com/e/the-bourne-legacy-1477021823/
The Bourne Ultimatum
Three years after Bourne was supreme at the box office, star Matt Damon reteamed with director Paul Greengrass for the series’ third installment – The Bourne Ultimatum. This film promises to reveal the final secrets about the secret agent’s past, and gives co-star Julia Stiles something to do. Did this original Bourne trilogy end on a high note? Join Arnie, Stuart, and Jakob to find out!
Arnie C: http://podcast.nowplayingpodcast.com/e/the-bourne-ultimatum/
The Bourne Ultimatum by Robert Ludlum
In 1990 Robert Ludlum returned to Jason Bourne one last time for The Bourne Ultimatum. This story finds Bourne once again in the crosshairs of Carlos the Jackal. It was a book intended to set a legacy for many Bourne novels to follow in the hands of other writers. So why is this the worst book ever reviewed at Books & Nachos? Join Stuart in L.A. as he tears into The Bourne Ultimatum and tells you why this is a novel you should avoid at all costs!
And if you enjoy Books & Nachos, support the show through our PodBean Crowdfunding Page!
Arnie C: https://booksandnachos.podbean.com/mf/play/kkadn7/BN128-BourneUltimatum.mp3
Ghostbusters 2
It took five years, but the Ghostbusters were back! Bill Murray, Dan Aykroyd, Harold Ramis, and Ernie Hudson strapped the proton packs on once more, rejoined by co-stars Sigourney Weaver, Rick Moranis, and Annie Potts. The crew is the same, and a lot of the story beats are the same, but Ghostbusters 2 has a far worse reputation than the original. Is this deserved, or should the naysayers be soaked in happy slime? Donate to Now Playing Podcast before July 31, 2016 and you can listen to find out!
Arnie C: http://nowplayingpodcast.libsyn.com/ghostbusters-2
Ghostbusters (1984) – A Podcast Preview
You know the song. You know the cartoon. You know the film — Ghostbusters! This 1984 horror-comedy from the makers of Caddyshack and Meatballs defied all expectations. Not only did this film break box-office records, it has become a cultural touchstone. For over 30 years it seems everyone loves this film. But critically, how does it hold up after so many imitators have aped the formula? Help keep Now Playing going strong–make a Platinum donation and hear the entire trilogy of Ghostbusters movie reviews! Note: This podcast is not available for general download. The Ghostbusters Retrospective Series was made as a special “Thank you” for those Now Playing Supporters who donate between April 1 and July 31, 2016. You can listen to a preview of this podcast now, and then visit our donation page to find out how to pledge and support Now Playing!
Arnie C: http://nowplayingpodcast.libsyn.com/ghostbusters-1984-a-podcast-preview
The Bourne Supremacy by Robert Ludlum
Bourne is back! Robert Ludlum had never written a sequel to any of his novels before. That streak ended in 1986 when Jason Bourne (or really David Webb) has to travel to China in search of the men who kidnapped his woman. This novel bears virtually no resemblance to the Matt Damon film, but is it worth a read? Join Stuart in LA in this review to find out!
And if you enjoy Books & Nachos, support the show through our PodBean Crowdfunding Page!
Arnie C: https://booksandnachos.podbean.com/mf/play/rq3cvu/BN127-BourneSupremacy.mp3
Short Circuit 2
Just two short years after Short Circuit electrified audiences Johnny 5 returned in Short Circuit 2. This time Johnny is in the big city and realizing what it means to be human…or in his case, not human. The film was supposed to be full of heart, laughs, and special effects. But Johnny’s wires got crossed and no connection was made with audiences. With this film Johnny 5’s cinematic life ended, but did he deserve his fate? Join Justin Five, Stuart, and Arnie to find out!
Arnie C: http://nowplayingpodcast.libsyn.com/short-circuit-2
The Bourne Supremacy
Universal had little confidence in making The Bourne Identity, but after its huge success they fast-tracked the sequel: The Bourne Supremacy. This follow-up teamed Damon with Paul Greengrass, who would continue to guide the Bourne films through this summer’s new Jason Bourne. Is this film truly supreme, or did the franchise lose its identity? Join Stuart, Arnie, and Jakob to find out!
Arnie C: http://nowplayingpodcast.libsyn.com/the-bourne-supremacy
Independence Day: Resurgence – A Podcast Preview
This weekend the United States celebrates Independence Day, and director Roland Emmerich and producer Dean Devlin are here to show us some fireworks with Independence Day: Resurgence! With returning stars Jeff Goldblum, Bill Pullman, Judd Hirsch, Vivica A. Fox, and Brent Spiner, should you spend his holiday in theaters? Donors who support Now Playing Podcast can listen and find out!
Arnie C: http://nowplayingpodcast.libsyn.com/independence-day-resurgence-a-podcast-preview
The Bourne Identity by Robert Ludlum
This summer is a great time to be re-Bourne! Matt Damon is returning to play Jason Bourne for the fourth time. For many Bourne fans, however, it may be surprising to find out how different these Damon films are from Robert Ludlum’s original novels.
On this episode of Books & Nachos, join Stuart in L.A. as he gives a spoiler free review of this book, outlining the creator’s original vision for this spy who can’t remember his past.
And if you enjoy Books & Nachos, support the show through our PodBean Crowdfunding Page!
Arnie C: https://booksandnachos.podbean.com/mf/play/c36fnk/BN126-BourneIdentity.mp3
Short Circuit
Robocop. R2-D2. HAL 9000. The T-1000. Johnny 5.
Listen to find out!
Arnie C: http://nowplayingpodcast.libsyn.com/short-circuit
The Bourne Identity (2002)
In 2002 a new action franchise was Bourne. Starring Matt Damon as Jason Bourne, The Bourne Identity modernized and heavily revised Robert Ludlum’s original novel. Despite a modest budget, the film connected with critics and audience members alike. With the upcoming sequel Jason Bourne in theaters this July, it’s time to check Bourne’s original Identity. Does the film hold up 14 years later? Join Arnie, Stuart, and Jakob to find out!
Arnie C: http://nowplayingpodcast.libsyn.com/the-bourne-identity-2002
Independence Day: Crucible by Greg Keyes
20 years have passed between the 1996 sci-fi hit Independence Day and this summer’s new Independence Day: Resurgence. That time passed in our real world–but it also went by for the fictional characters who survived that alien assault. Fans have long wondered–what happened on July 5, 1996? Were all the aliens killed when the ships went down? Some of this will be revealed in the new movie, but those wanting a fuller explanation can find it in the new novel Independence Day: Crucible by Greg Keyes. It spans all 20 years and follows old characters, like David Levinson and Steve Hiller, as well as new players like Jake Morrison and Dikembe Umbutu.
Did anything happen in that 20-year span to warrant a novel? Join Arnie in this Books & Nachos episode as he summarizes and reviews this new story — and the comic series Independence Day: Dark Fathom!
And if you enjoy Books & Nachos, support the show through our PodBean Crowdfunding Page!
Arnie C: https://booksandnachos.podbean.com/mf/play/p5eu26/BN125-ID4Crucible.mp3
Independence Day Preview – Help Celebrate Independent Podcasting!
In 1996 Roland Emmerich and Dean Devlin blew up the Earth, and the box office, with their Independence Day. The movie became a ’90s icon and launched Will Smith’s acting career into orbit. Now, 20 years later, Independence Day returned to theaters as part of a double feature with its new sequel Resurgence. How well did this original movie age? You can join Arnie, Stuart, and Jakob to find out if you donate and help celebrate our independent podcast!
Arnie C: http://nowplayingpodcast.libsyn.com/independence-day-preview-help-celebrate-independent-podcasting
The Bourne Identity (1988)
Jason Bourne has existed in Robert Ludlum novels for over 35 years. For mainstream audiences, however, he came to life when Matt Damon starred as the amnesiac secret agent in 2002. That action-packed rendition now defines the character, and has totally overshadowed Bourne’s first portrayal — in a 1988 ABC miniseries. The story was much closer to Ludlum’s original novel than the later films, but can Richard Chamberlain match Damon’s performance? To find out, join Arnie, Jakob, and Stuart as this new retrospective series is Bourne! And come back each week until we review the new Jason Bourne film in theaters!
Arnie C: http://nowplayingpodcast.libsyn.com/the-bourne-identity-1988
Night of the Creeps – A podcast skit and preview
Horror comedies have a long history with movies like An American Werewolf in London and Attack of the Killer Tomatoes. But in the heyday may be the mid-80s which entertained with films like Return of the Living Dead, House, and the film we’re reviewing today: Night of the Creeps. A combination alien infestation/ax murderer/zombie film, many tropes are played with to make audiences laugh and scream. The film died in the box office but rose like a zombie on VHS (when director Dekker was better known for his follow-up horror comedy The Monster Squad). Join Arnie, Stuart, and Jakob for this bonus review to find out why Night of the Creeps is a film worth digging up!
Arnie C: http://nowplayingpodcast.libsyn.com/night-of-the-creeps-a-podcast-skit-and-preview
The Conjuring 2
After three years and one Fast and Furious film, James Wan is back with a sequel to The Conjuring. The original horror film scared up lots of dough for Universal, so now the series returns with Ed and Lorraine Warren investigating another real life haunting — The Enfield Poltergeist. How “true to life” is this story, and does it up the suspense from the original? Join us to find out!t
Arnie C: http://nowplayingpodcast.libsyn.com/the-conjuring-2
Big Trouble in Little China
In 1986 director John Carpenter was known as a “Master of Horror” thanks to his films Christine, The Fog, The Thing, and of course Halloween. So, even with sci-fi drama Starman in 1984, no one could expect his fourth team-up with star Kurt Russel would be kung fu comedy Big Trouble in Little China. The film eschewed the typical action hero tropes and failed to connect with American audiences. Like many of Carpenter’s other films, Big Trouble became a cult classic, its popularity growing year after year. So what is it — big flop or deserved cult classic? Donate and help keep Now Playing operating and you can join Stuart, Jakob, and Arnie to find out!
Arnie C: http://nowplayingpodcast.libsyn.com/big-trouble-in-little-china
Teenage Mutant Ninja Turtles: Out of the Shadows
In this sequel to 2014’s Teenage Mutant Ninja Turtles, Donatello, Leonardo, Raphael, and Michelangelo are back again to save New York from Shredder. But while this film has the same look and some returning stars, there’s a new vibe throwing back to the original cartoon series — including fan-loved baddies Krang, Bebop, and Rocksteady. With Arrow star Stephen Amell joining the cast as human vigilante Casey Jones, are these turtles worth shelling out for? Join Arnie, Stuart, and Jakob for their review to find out!
Arnie C: http://nowplayingpodcast.libsyn.com/teenage-mutant-ninja-turtles-out-of-the-shadows
Labyrinth – A Musical Podcast Preview
While making The Empire Strikes Back George Lucas asked Jim Henson to help create new character Yoda. Henson was busy working on his own Muppet Movie, but the two did end up collaborating six years later with Labyrinth! This fantasy film tells the tale of a girl trying to rescue her baby brother from the evil Goblin King. With Lucas helping craft the fantasy world, Henson directing, and Bowie singing, it seemed a surefire hit…and wasn’t. Donate today and you can join the Now Playing hosts on their quest through the maze of Labyrinth’s plot and characters as they review this ’86 cult classic!
Arnie C: http://nowplayingpodcast.libsyn.com/labyrinth-a-musical-podcast-preview
X-Men: Apocalypse
Director Bryan Singer is back to take the X-Men to the ’80s for a totally tubular fight against Apocalypse! The film debuts the fan-favorite mutant villain on film. It also features the return of classic movie X-Men Cyclops, Jean Gray, and Nightcrawler. Is the result boss or bunk? Join Arnie, Jakob, and Stuart to find out!
Arnie C: http://nowplayingpodcast.libsyn.com/x-men-apocalypse
Space Camp
They were never meant to go to space, but they weren’t given a choice. Five teens and an unproven astronaut find themselves alone, with no communications and little hope of returning home. But don’t count them out yet as these kids went to Space Camp! Did they learn what they needed to save themselves? And does this movie achieve liftoff, or crash on the launchpad?
Now Playing Podcast needs your help to keep operating! If you donate and support our show, you can join Stuart, Arnie, and Jakob to find out. Listen to the preview now, and then find out all the details about our donation drive.
Note: This podcast is not available for general download. The Sci-Fi Summer of 1986 Review Series was made as a special “Thank you” for those Now Playing Supporters who donate between April 1 and July 31, 2016.
You can listen to a preview of this podcast now, and then visit our donation page to find out how to pledge and support Now Playing!
Arnie C: http://nowplayingpodcast.libsyn.com/space-camp
Hellboy II: The Golden Army
The original Hellboy film didn’t set the box office on fire. But like a necromancer, director and writer Guillermo del Toro brought the demonic comic hero back on screens in 2008. With the original cast back plus new antagonists both in and out of the BPRD, does Hellboy II: The Golden Army turn up the heat? Join Arnie, Stuart, and Jakob to find out!
Arnie C: http://nowplayingpodcast.libsyn.com/hellboy-ii-the-golden-army
Invaders from Mars – A Podcast Preview
In 1986 the director of The Texas Chain Saw Massacre and Poltergeist teamed up with the screenwriter of Alien and Return of the Living Dead to make a…children’s sci-fi film! That project was Invaders from Mars, a remake of the ’50s red scare movie of th
Arnie C: http://nowplayingpodcast.libsyn.com/invaders-from-mars-a-podcast-preview
Hellboy
Dark Horse Comics was once best known for its series based on popular movie properties like Star Wars, Predator, and Alien. That reputation slowly changed as the publisher’s original characters gained prominence, with the most popular becoming Mike Mignola’s demonic creation Hellboy! In 2004 that comic was adapted to film by fantastical visionary Guillermo del Toro. Now join Arnie, Stuart, and Jakob as they go to hell and back, reviewing the original Hellboy!
Arnie C: http://nowplayingpodcast.libsyn.com/hellboy
Critters – A Podcast Preview
First came Ghoulies. Then came Gremlins. Then Troll. But can any of them stand up to Critters–the omnivorous killer space poofs? These alien fugitives landed in Kansas, and began to eat their way through the midwest. Can these varmints be stopped? And did they make this 1986 horror sci-fi comedy deserve three sequels? Arnie, Jakob, and Stuart review this film, and give an overview of all four Critters films in this podcast. Donate to help keep Now Playing on the air, and you can join them in the fun!
Arnie C: http://nowplayingpodcast.libsyn.com/critters-a-podcast-preview
Captain America: Civil War
Is this movie Captain America 3 or Avengers 3? Cap is back and he’s brought the whole team. Iron Man, Ant-Man, Black Widow, Vision, Scarlet Witch, and half a dozen other costumed heroes appear–to fight! At issue is the UN wanting to control The Avengers
Arnie C: http://nowplayingpodcast.libsyn.com/captain-america-civil-war
Men in Black 3 – A Podcast Preview
After Men in Black II it seems audiences had been neuralized, the film franchise mostly forgotten. Indeed, Will Smith took a four year hiatus, while Barry Sonnenfeld only directed the Robin Williams vehicle RV. But in 2012, ten years after the previous mo
Arnie C: http://nowplayingpodcast.libsyn.com/men-in-black-3-a-podcast-preview
Ranking The Avengers Movies Before CIVIL WAR
Captain America: Civil War is released in theaters today. This first film in “Phase 3” of the Marvel Cinematic Universe has a huge character roster. Its spotlight scene in trailers and marketing show over a dozen Marvel characters on screen duking it out. With Iron Man, Ant-Man, Spider-Man, and a full Avengers roster, Civil War feels less like a third Captain America movie, and more like the culmination of everything that has come before.
In preparation for this superhero “Monster Mash” here is a recap of the first two phases of the Marvel Cinematic Universe, ranked from worst to best!
The Running man
No one was interested in making movies based on the writings of
Richard Bachman. His novels Rage, The Long Walk, Roadwork,
and The Running Man were modest sellers that often had
only one printing. More, they were dark and rough novels King wrote
in his early years. That changed in 1985 when Bachman was exposed
as a pen name for Stephen King. Just two years later Arnold
Schwarzenegger was The Running Man–a very loose
adaptation of the ’82 Bachman novel. The film is now a cult hit,
fondly remembered by Generation X, but is it any good? Listen now
to find out!
Arnie C: http://nowplayingpodcast.libsyn.com/the-running-man
The Dead Zone by Stephen King
The Dead Zone was Stephen King’s follow-up to The Stand. This new novel, about a man who gained psychic powers after a head injury, became the author’s first number 1 best seller. It has gone on to be adapted to film by David Cronenberg, and a long-running cable TV series.
In this episode of Books & Nachos, Arnie looks back at the book that started it all. He analyzes King’s influences that led to the creation of the novel, and deconstructs the characters and plot. So now join him for a review of Stephen King’s novel over a year in the making!
And if you enjoy Books & Nachos, support the show through our PodBean Crowdfunding Page!
Arnie C: https://booksandnachos.podbean.com/mf/play/wmwkey/BN124-SK29-TheDeadZone.mp3
Men in Black II
In 2002 Will Smith and Tommy Lee Jones returned to save the
world…again! With the stars back, much of the supporting cast,
and Barry Sonnenfeld again directing, it seemed like another
surefire hit. Yet the box office was down, critics were harsh, and
La
Arnie C: http://nowplayingpodcast.libsyn.com/men-in-black-ii
Cujo
From 1974 to 1982 Stephen King published 12 books, most of them
bestsellers. Yet only three movies were based on his writing during
that same period: Carrie in 1976, The Shining in
1980, and Creepshow in 1982. That all changed starting in
1983. In the next four years a total of thirteen movies based on
King’s works hit screens. The first movie in that deluge was
Cujo, based on King’s 1980 book about a mother and son
trapped by a rabid dog. Does Cujo keep to the quality of
the Kubrick, De Palma, and Romero films that came before? Listen to
find out!
Arnie C: http://nowplayingpodcast.libsyn.com/cujo
Men in Black – A Podcast Preview
In the 1990s no one saved the world from aliens like Will Smith! In 1996 he piloted us to freedom in Independence Day, and for summer of 1997 he was doing it again as one of the Men in Black. With Tommy Lee Jones as his dry, experienced mentor, the two must save the world from an intergalactic war. Is this a film you should remember, or is a neuralizer the better option? Listen to this excerpt, and find out details how you can donate and hear the whole show!
Note: This podcast is not available for general download. The Men in Black Retrospective Series was made as a special “Thank you” for those Now Playing Supporters who donate between April 1 and July 31, 2016.
You can listen to a preview of this podcast now, and then visit our donation page to find out how to pledge and support Now Playing!
Arnie C: http://nowplayingpodcast.libsyn.com/men-in-black-a-podcast-preview
American Splendor
Harvey Pekar was an independent comic writer, a notorious talk show guest, and a general grump. And with the film American Splendor he added another title–movie star. Pekar himself and Paul Giamatti both play the author in the film that depicts Crumb’s start in comics, and his fight with cancer. It’s possibly the most down-to-earth comic book movie Now Playing has ever reviewed…but is it good? Join Arnie, Stuart, and Jakob to find out!
And after you listen to this review, listen to Jakob’s 2008 interview with Harvey Pekar.
Arnie C: http://nowplayingpodcast.libsyn.com/american-splendor
The Spirit (2008)
Frank Miller was given a director’s credit on Robert Rodriguez’s Sin City. With that film’s success Miller went on to direct his own feature film. The result was The Spirit, based on Will Eisner’s iconic comic book crimefighter. The movie’s visual style and tone strongly resembled Sin City but the reception didn’t match that earlier film. Is this film a Sin worth committing? Listen to find out!
Arnie C: http://nowplayingpodcast.libsyn.com/the-spirit-2008
The Spirit (1987)
When fans think of The Spirit they probably think of Will Eisner’s 1940’s comic book crimefighter. Or they may think of Frank Miller’s 2008 film adaptation of the same name. Only the hard core Spirit fans and ’80s trivia buffs would think of the film we’r
Arnie C: http://nowplayingpodcast.libsyn.com/the-spirit-1987
Batman v Superman: Dawn of Justice
It took fifteen years of development, but now the World’s Finest heroes are together on screen with Batman v Superman: Dawn of Justice. Can the Dark Knight and the Man of Steel share the screen? The box office was big but the audience divided. Now join Arnie, Stuart, and Jakob for this review to find out!
Arnie C: http://nowplayingpodcast.libsyn.com/batman-v-superman-dawn-of-justice
Watchmen
Watchmen was an acclaimed ’80s comic series. It helped legitimize comics as a literary medium, and remained a bestseller for over 20 years. Yet with its complex, nonlinear narrative, all attempts to adapt it to film had failed to launch. But in 2009 director Sack Snyder, fresh off his success on 300, used the same visual style to bring Watchmen to theaters. The result was not as highly-praised as the graphic novel, but is it worth a watch? Join Arnie, Jakob, and Stuart as they review the film version of Watchmen, including a comparison of all three different cuts released!
Arnie C: http://nowplayingpodcast.libsyn.com/watchmen
Watchmen by Alan Moore
Watchmen. It was the only comic listed on Time Magazine’s List of the 100 Best Novels list. It also was in The Comic’s Journal’s list of the Top 100 Comics of the 20th Century. It has been revered by comic lovers and neophytes alike. Now Arnie and Jakob come together to review all 12 issues of this series, and also give a brief look at the recent Before Watchmen prequel series!
Then head to Now Playing Podcast to hear Stuart, Jakob, and Arnie review crew’s thoughts on Zack Snyder’s film adaptation!
Arnie C: http://booksandnachos.com/Podcasts/BN123-Watchmen.mp3
The League of Extraordinary Gentlemen
After the success of the X-Men superhero properties were in demand. But before hero teams like Justice League, Watchmen, and Avengers could assemble, there was The League of Extraordinary Gentlemen. Sean Connery’s Allan Quatermain leads a cadre of literary figures including Tom Sawyer, Dr. Jeckyll, The Invisible Man, and others. The film’s reception, though, was anything but extraordinary with rumors this production ended the careers of both Connery and director Stephen Norrington. Is the film deserved of that reputation? Join our League of Extraordinary Movie Critics to find out!
Arnie C: http://nowplayingpodcast.libsyn.com/the-league-of-extraordinary-gentlemen-0
Gen 13
Created by comic book superstars J Scott Campbell, Jim Lee, and Brandon Choi, Gen 13 was Wildstorm Comics’ risque Gen-X version of the X-Men. After only a few years in publication the series’ success led to Buena Vista creating this animated feature, starring voice actors Mark Hamill, John de Lancie, John de Lancie, and Flea. But before the movie could see release Wildstorm was bought by DC Comics, and Buena Vista parent company Disney forever shelved this action cartoon. Is this a gem that deserves its day, or a mercy killing a’la Corman’s Fantasic Four? Join Arnie, Stuart, and Jakob for this review to find out!
Arnie C: http://nowplayingpodcast.libsyn.com/gen-13
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